An insider's look into Francis Ford Coppola's latest Live Cinema project, Distant Vision.
An insider's look into Francis Ford Coppola's latest Live Cinema project, Distant Vision.
2018-01-10
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Francis Ford Coppola's Live Cinema project.
A short documentary on the Francis Ford Coppola musical One From the Heart.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
When Chloe's grandmother gets diagnosed with Alzheimer's, she's forced to become a stay-at-home teenager overnight.
The true story of how Israel used politics, espionage, blackmail, targeted assassinations and finally military power to destroy Saddam Hussein's nuclear reactor and deny him the bomb.
The civil war rages in the Central African Republic, Linn (35) leads a team of aid workers who are working tirelessly to save lives in a field hospital outside a massive refugee camp. When a Muslim man, persecuted and in mortal danger, seeks refuge, Linn faces a critical decision. A growing mob and Christian militia demand his handover. As the head of security, Linn must act quickly, brutally balancing the safety of her team with the value of a single life. Based on the true events that unfolded during 15 tense hours at a Doctors Without Borders hospital in Bangui on Christmas Eve, 2013.
A pirate crewman kills his captain after learning where he has hidden his buried treasure. However, as he begins to lose his memory, he relies more and more on the ghost of the man he just murdered to help him find the loot.
A teenage girl in an evangelical church youth group must deal with the fallout when her trust is publicly betrayed.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
"I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space in the movement from the three-dimensional to a plane and back again." Takashi Ito
When Ms. Christmas, a shopping channel host, receives a terminal diagnosis, she heads on a multi-city excursion to spread Christmas cheer.
A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.
1. Countdown to insanity 2. Final Embrace 3. In Metal We Trust 4. Angel in Black 5. Rulebreaker 6. Sign of Fear 7. Seven Seals 8. Angels of Mercy 9. The End is Near 10. Rollercoaster 11. The Sky is Burning 12. Nuclear Fire 13. When Death comes knocking 14. Metal is forever 15. Fighting the Darkness
Lafras Verwey (58) has worked as a clerk in the Civil Service in Pretoria for thirty years. By day he sorts files and whiles away the mundane hours writing grandiose propaganda speeches and drilling imaginary platoons in the washroom, but unbeknownst to his colleagues he is also a clandestine parcel courier for a secret organization that recruited his services to complete their covert mission.
Over 50 animators from 19 countries collaborated to support Belarusians in their peaceful protests for fair elections and freedom. The animators offered their interpretation of the recent events in Belarus, creating the animated chronicles of these dramatic events. The white-red-white flag is a historical symbol of Belarus and has become a symbol of peace, protest, and hope for the people of Belarus. The youngest animator who participated in the project is only 12 years old.
In the peaceful hamlet of Dzuluk, a man is about to return to his wife of thirty four years, a marriage they have sustained mostly through letters.
Twenty-five films from twenty-five European countries by twenty-five European directors.
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
Three Swedish living rooms, under three different stages of life.
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.
Featuring new, previously unseen footage documenting the bizarre and unsettling things that happened to filmmakers David Farrier and Dylan Reeve as Tickled premiered at film festivals and theaters in 2016. Lawsuits, private investigators, disrupted screenings and surprise appearances are just part of what they encounter along the way. Amidst new threats, the duo begins to answer questions that remained once the credits rolled on Tickled, including whether the disturbing behavior they uncovered will ever come to an end.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
Who has ever compared Reservoir Dogs? What are “Open Road” and “New World Disorder”? Why is Harvey Keitel a fairy and how did we all almost become diehard fans of Paul Calderon? Here’s a story about Quentin Tarantino. The director who needs no introduction.
A short about American life and history produced for the millennium New Year's Eve celebration.
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)