Two sisters, aged ten and twelve, are about to leave their beloved island, which has become too expensive for their family. Their sadness turns into rage towards those forcing them to leave: the tourists. This last summer will be dark, deadly, as toxic as the seaweed swarming over the beaches.
Two sisters, aged ten and twelve, are about to leave their beloved island, which has become too expensive for their family. Their sadness turns into rage towards those forcing them to leave: the tourists. This last summer will be dark, deadly, as toxic as the seaweed swarming over the beaches.
2020-02-01
0
Shots are fired at a woman as she runs through the forest. At the same time, two brothers turn on to a forest road. Their paths will soon cross in a suspenseful film with supernatural elements - where nobody is what they seem to be.
"Candace Van Houten finds her Senate campaign at the center of controversy after an unexpected discovery, forcing her team to begin damage control."
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
On the verge of a nervous breakdown, a school teacher finds the wisdom she needs in the most unlikeliest of places.
Ma Lei which sounds like "Mary" is a Chinese citizen, living in Hong Kong as the kept woman of a jeweler. She wishes for two things: to get her Hong Kong Identity Card, which will enable her to get work as a legal immigrant; and to marry her boyfriend.
The Chen family contagiousness extends to taking on an extra-marital affair. Gua Ah-leh is at the movie's centre: she shines as Lung's wife, who finds she has a thing or two to learn from the gigolo after Lung blithely. Lang Hisung plays old dentist for broad comedy he is sixty years old.
Three directors deliver three stories about the love in the modern world.
Clara Law's debut feature deals with her common theme of emigration as two people, man and woman, from separate couples, have to room together while their spouses are in America to finalize the Canadian citizenship process.
Follows the serendipitous meeting of two young girls on the Venice Boardwalk, who, though worlds apart in lifestyle, embark on unexpected and lifelong friendship. CC is an aspiring singer trying to make it in Los Angeles. Hillary is the daughter of a prominent civil rights lawyer who struggles to find her own destiny. Their friendship—even with its ups and downs—sustains them for decades.
Ubi Sunt. Porto. Cartography of an imaginary place attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.
Maya has for several years stayed away from Sweden and lived a fluttering life in southeastern Asia. But when she finds out that the only person she still has contact with in Sweden is about to die, she must quickly find money for the ticket home. She finds out that she cannot trust anyone, because she herself has cheated everyone.
Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.
Emotionally withdrawn strip club dancer Ayako has never recovered from her mother's suicide when she was young. She begins a relationship with patient potter Daiji, but leaves him behind when she quits her job and returns to her home town after a 10 year absence.