A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
A young office worker is afflicted with a strange mutation that causes her blood to come to life when she bleeds.
A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
"River ice sets the scene for Judy Garland's international cri de coeur. It's hard to understate the amount of anxiety created by a Vice President who usurped authority for eight years to start wars and wreck the economy and then sidled off to Wyoming to be a retired 'hero of the right.' Impunity is not just the stuff of autocratic dictatorships in the third world. The American form of impunity is going to get us all killed."
Suzanne is waking up. In the fleeting moments before she forgets her dreams, she searches her subconscious for an answer to the question on the tip of her tongue. But can Suzanne learn to break free of her suspended state of being? Inspired by the Edward Hopper painting 'Morning Sun.'
A self-portrait short film on 16mm from a trans male perspective.
A boy who finished school and spends time at home, between routine and sleep, during the COVID-19 pandemic.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.
A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)