Adalbert "Mussu" Koikkalainen inherits 9,000 marks from his uncle. To buy a milk shop, Koikkalainen needs another thousand marks and work experience, so he applies for a job at the department store Sampo, where he is hired as a scapegoat to receive customer complaints. The saleswoman Irja Salo, who is under threat of dismissal, falls in love with the general manager Vaara, whom she thinks is a traveling salesman.
Mrs. Aro
Mrs. Koikkalainen
(uncredited)
(uncredited)
Adalbert "Mussu" Koikkalainen inherits 9,000 marks from his uncle. To buy a milk shop, Koikkalainen needs another thousand marks and work experience, so he applies for a job at the department store Sampo, where he is hired as a scapegoat to receive customer complaints. The saleswoman Irja Salo, who is under threat of dismissal, falls in love with the general manager Vaara, whom she thinks is a traveling salesman.
1935-04-07
0
Two self-obsessed businessmen discover they're long-lost identical twins and come together to plot the reunion of their eccentric divorced parents.
A young Czech couple are terrorized by their funny family.
Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks—advised by his brilliant VP and his shrewd and scheming campaign advisor—makes a thinly-veiled campaign move and takes her in. Stacks believes he's her guardian angel, but Annie's self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it's the other way around.
Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.
Six aspiring comedians tired of the mediocrity of their lives, at the end of an evening stand-up course they prepare to face their first performance in a club. In the audience there is also an examiner, who will choose one of them for a TV show. For everyone this is the great opportunity to change their life, for some it could be the last one. The performances begin and each comedian takes the stage with a great dilemma: to respect the teachings of their master, devoted to intelligent and uncompromising comedy, or to twist their numbers to satisfy the much less refined taste of the examiner? Or maybe look for a third way, one of absolute originality? Through the stories of six comedians, Comedians is a reflection on the very meaning of comedy in our time, facing absolutely topical issues.
A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.
Peter Nichols adapted his own hit play to the screen, based on his experiences in hospitals. A riotous black comedy that's as timely today as ever, it contrasts the appalling conditions in a overcrowded London hospital with a soap opera playing on the televisions there. In an ingenious touch, the same actors appear in the "real" story as well as the "TV" one, thus blurring the distinctions even further. Jack Gould directs such outstanding British actors as Lynn Redgrave, Colin Blakely, Eleanor Bron, Jim Dale, Donald Sinden, Mervyn Johns, and, in only his second film, Bob Hoskins. The renowned Carl Davis composed the score.
A young princess arrives at her estate. She is bored by the welcoming ceremony and is quite happy to hear about the rebellious miller who refused to come to the castle. He lives with his mother and ward Hanička in an old mill. The miller is exempt from work, but he is obliged, if the lordship requests it, to accompany her with a lantern to the forest castle. The princess likes the miller and therefore uses his right...
This comedy story of Joe Haller unwittingly running a sweatshop and Mama Haller keeping the suitors away from her daughters by discussing marriage.
Colin McCormack thinks he has it all - a great job, a steady stream of hot younger guys, and a best friend whose devotion he takes for granted. But when a charming and mercurial intern sweeps him off his feet, Colin sees a chance for something more: A family of his own. What he discovers instead is a shattering secret that may cost Colin everything -- and everyone -- he holds dear.
In this drama, a 50-year-old married man (played by John Halliday) goes with his wife (Belle Bennett) and son (Junior Durkin) to a nightclub in a fancy hotel in Detroit. He meets a gold-digger (Dorothy Burgess) there, singing the theme song of the picture, and eventually ends up going out with her on a subsequent occasion and falls in love with her. His wife finally finds out and this leads to her leaving him and getting a divorce in Paris. He is married to the gold-digger but finds life with her and her "jazz friends" to be too much for him. He begins to long for his old wife when he finds her in a nightclub with another man and becomes jealous.
A poor Harvard student's romance with a girl hits a rough spot when he realizes, on his 21st birthday, that he's in love with her brother.
Elena invites her former husband Roberto to her country house with the aim of winning him back while her sister Monica invites her lover Filippo.
Widowers Amos and Ben plot to romantically unite Amos’ daughter, Luisa, and Ben’s son, Matt, by pretending to feud and forbidding the teens to associate, knowing they will resist their fathers’ interference. As the two youngsters fall in love, the fathers plot to end the "feud" by hiring a traveling showman to fake an abduction and allow Matt to "rescue" Luisa.
Hero and Beatrice, cousins and best friends, have very different approaches to love. Beatrice, burned once, is fiercely avoiding her arrogant ex-boyfriend Benedick and has sworn off men in general. Hero, a true romantic, is deeply in love with Benedick's friend Claudio, but too shy to say it. When they get trapped in a house with the entire boys rugby team, they'll be forced to face the questions they'd been avoiding.
Spouses Vojta and Růžena Koskub are an ideal couple: they both love each other and are both doing well at work. But six months after their wedding, they appear before the divorce court. The reason? Růžena refuses to do all the housework herself. In addition to their main jobs, she and Vojta have other work responsibilities. Růžena draws illustrations for a tree atlas, Vojta writes a book about after-school child care. Neither of them has time for the household. The sitting judge, Mack, can't get the quarreling pair of teachers out of his head, so the man decides to give the Koskubs a well-meaning lesson in marital cohabitation. The two married couples find themselves together at a summer cottage, where men and women can demonstrate what they think is right. But it won't be easy for anyone...
A teenage girl who halfheartedly tries to be part of the "in crowd" meets a dashing rebel who teaches her a more sinister way to play social politics.