How to Bridge a Gorge(1942)
An instructional video that teaches, through stop-motion animation, how to build a bridge over a gorge that can hold heavy military equipment. Preserved by the Academy Film Archive in 2004.
Movie: How to Bridge a Gorge
How to Bridge a Gorge
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7.2Four Sons(en)
A family saga in which three of a Bavarian widow's sons go to war for Germany and the fourth goes to America, Germany's eventual opponent. Preserved by the Academy Film Archive in partnership with L'Imaginne Ritrovato and Twentieth Century Fox Film Corporation in 1999.
6.9With the Marines at Tarawa(en)
Documentary short film depicting the harrowing battle between the U.S. Marines and the Japanese for control of the Pacific island of Tarawa. Preserved by the Academy Film Archive in partnership with National Archives and Records Administration in 2005.
5.8Cat's Cradle(en)
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat. Preserved by the Academy Film Archive in 2006.
5.4Eye Myth(en)
After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.
6.1Windy Day(en)
Two little girls muse on marriage and babies, love and death as they create and act out plays in their backyard. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2006.
6.2The Fighting Lady(en)
Oscar winner William Wyler directed this 1944 "newsdrama," narrated by Lieut. Robert Taylor, USNR (Bataan), and photographed in zones of combat by the U.S. Navy. The film follows one of the many new aircraft carriers built since Pearl Harbor, known as THE FIGHTING LADY in honor of all American carriers, as it goes into action against the Japanese in the Pacific Ocean in 1943. See the ship and its pilots undergo their baptism of fire, attacking the Japanese base on Marcus Island. Preserved by the Academy Film Archive in partnership with The Film Foundation.
6.0The Battle of San Pietro(en)
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
Evolution of the Red Star(en)
Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
5.5Phases(en)
A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way. Preserved by the Academy Film Archive.
7.0Seepage(en)
"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.
6.0Tube Tales(en)
An animated parody of television commercials and the television audience. Preserved by the Academy Film Archive.
Prices Unlimited(en)
Two young women, frustrated by war rationing, have a dream illustrating the likely results on prices in America should the measure were prematurely lifted. Preserved by the Academy Film Archive in 2008.
Pianissimo(en)
An experimental animated short film in which a piano plays a song and the keys, hammers, and various other parts of the piano are different colors. Preserved by the Academy Film Archive in 2007.
5.7Frank Film(en)
A compilation of images co-creator Frank Mouris had collected from magazines interwoven with two narrations, one giving a mostly linear autobiography and the other stating words having to do with the images, the story the first voice is relating, or neither. Preserved by the Academy Film Archive.
0.0Sausage City(en)
Sausage City illustrates Beckett's additive cycle process. Constantly evolving rectangular shapes provide a foundation for an environment inhabited by mutating blobs - or sausages. Sounds and shapes create a moving space that teeters on the edge between control and chaos. The ending is somewhat mystifying, pulling us out of the surreal environment and revealing its origins. Preserved by the Academy Film Archive in 2007.
6.1So Much for So Little(en)
Little Johnny Jones, to be born in the next year, is shown growing to a ripe, healthy old age, thanks to the efforts of his local public health officers. But without them, he might be one of the 5% or so that dies in the first year. The price for the public health service: about 3 cents a week. Preserved by the Academy Film Archive in 2005.
6.1Motion Painting No. 1(en)
Motion Painting No. 1 is a 1947 experimental short animated film in which film artist Oskar Fischinger put images in motion to the music of Johann Sebastian Bach’s Brandenburg Concerto no. 3, BWV 1048. It is a film of a painting (oil on acrylic glass); Fischinger filmed each brushstroke over the course of 9 months. In 1997, this film was selected for inclusion in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. Preserved by the Academy Film Archive in 2000.
6.3Black Hula(en)
A dirge-like hula song illustrates humanity's woes. Preserved by the Academy Film Archive in 2010.
