After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.
A Romany woman travels from Praha to her home in Transylvania
Estranged lovers reconnect through the power of the Magic Conch Shell.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.
Three souls wake up on a train that takes them to an unknown place.
Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.
All We Sheep Have Gone Astray is an experimental film that shows the internal struggles of a person who is frustrated with the function and structure of the world. The film sets a surreal portrayal of the person's mind as he talks to himself about his personal critique on humanity, individualism, and the idea of free will. The cinematic elements within the film guide the protagonist through his quest as he strives to retain his deepest thoughts from the outside world.
a visualization of a poem telling a story of making a piramid out of a mountain
moony and Joey Brodnax present WARNING HIGH CUBE - a film accompanying the release of moony’s debut album of the same name. After amassing an impressive collection of genre-spanning EPs scouring depths of emotion, pain, anger, relief, and hope, burgeoning Nashville-based indie alternative rocker Seth Findley (AKA moony) is at full form, ready to deliver his debut LP to the world. WARNING HIGH CUBE is a bold full-throttle whirlwind of a hero’s journey, serving as moony’s definitive allegory of his life so far, exploring swirling ideas of existentialism, nature, animals, spirituality, love, friendship, and the threads that hold humanity together. moony & Joey set out to create a unique audio/visual pairing for the album, unlike anything they’d seen or felt. The result is 50 uncanny, undefinable, and sometimes uncomfortable minutes. A new world ripe for the picking, WARNING HIGH CUBE and its accompanying film are here to save mankind.
Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.
Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for his fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Religious imagery in Curado I, a small neighbourhood in the northeast of Brazil.
Innocent nature walk leads to a discovery of the morbid nature of humans.
Day Trip Maryanne captures the collaboration between legendary sound sculptor Maryanne Amacher and guitarist Thurston Moore of Sonic Youth at her house last autumn. In this very visually honest presentation, the musicians make heavy drones until the speakers explode.
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
Escombro is a collage and found footage film that brings together a series of natural disasters around the world over the last thirty years. The film features disasters caused by climate change and also the exploitation of the earth's natural resources.