
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
5.0A solo audiovisual performance. Eighth entry into deeply beguiling series of works responding to the Alps acted as the closing night event of Alchemy Film Festival. The images are studies of the Alps degraded and distorted live at the front of the auditorium; the picture pixelated, streams of colour engulfed the screen like a crashed desktop, and as hawks hovered over the mountains they left staggered trails of glitches across the screen like computerised vapour trails. The audio was also created live using short atonal precomposed tracks. The aim was to create a digital alchemy, an abstracted journey into the mountains, a wild wonder inside and out.
0.0A dynamic, contemporary dance performance about how it is impossible to explain your deepest wishes or desires... how these can only be expressed in dreams and sleep. In the final sequence, we see the importance of effort and hope in the dancers' attempt to escape gravity. The all-male company performs to the music of David Byrne.
0.0Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
0.0Experimental documentary about what it means to be at peace.
0.0In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.
0.0A collection of memories from a tumultuous time at University.
0.0During a 6-hour performance and in a additional Film, REA and Yannick Mosimann dedicate themselves to the stretching of time and space based on observations of different trees. The tree, the mammoth of floral time, seems to be a gnarled, proud and place-bound existence, nevertheless in low-frequency, flowing movement. Breathing is here a symbol of time and rhythm, carrier of tonal frequencies of our vocal cords.
10.0A collection of five short films tackling the military industrial complex, the rise of fascism, political polarization and various issues in modern society.
0.0Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
0.0Through thread and textile, an Asian seamstress tries to escape from the factory.
8.0‘Under the Weight of a Waking Dream’ is Zefier's debut swan song to the ending year. Comprised of poetry and endless enumerations is a diaristic film chronicling the lessons and contradictions found throughout the human experience.
0.0The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.
0.0Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
0.0fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.
0.0Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit’s discussion of the difficulties of working with archaic synthesizers in the Columbia-Princeton Electronic Music Center in the 1950s and ’60s is a firm reminder of just how foreign electronic sounds were to even the academic community only 40 years ago. Likewise, Paul Lansky’s private lesson with theremin inventor Leon Theremin is an example of how non-user friendly electronic musical instruments could be, even to people who should have the best sense of how to approach them.
10.0With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.
0.0The ruin pub phenomenon in Budapest jolted the city to life like an explosion in the early 2000s. The capital, which had flourished and buzzed with culture at the turn of the century, was levelled in an instant by the Second World War. The people living here had to start from scratch, and through perseverance and determination, the city once again began to thrive—only to slide toward decline once more. Budapest exists within this cycle, and the ruin pub is part of it, encapsulating a sense of permanence built from the ruins of Eastern Europe.
0.0On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.
