Praise of the Distance(2008)

Horse Transport(en)

portrait of one aspect of rural life

Bécquer and the Witches(es)

In 1864, the Spanish poet Gustavo Adolfo Bécquer (1836-70), suffering from health problems, retires to the monastery of Veruela. Far from the noise and worldly activity of the capital, he immerses himself in the landscape of the mysterious Moncayo mountain. There, he discovers a new world full of legends that converge in a small village located at the foot of the mountain: Trasmoz, the Village of the Witches, the only officially cursed village in Spain.

Monegros(es)

Accompanied by the songs of singer-songwriter José Antonio Labordeta, a poetic journey through the inhospitable shire of the Monegros, located in the region of Aragón, in Spain, in search of peace and isolation.

Sugartown: The Bridegrooms(en)

In the Greek village of Sugar Town, men have a serious problem. Women are fleeing the area in search of work or marriage in the big cities, leaving them behind - and lonely. Fully aware of the men’s dire situation, the astute mayor of Sugar Town promises to find them wives in Russia, as part of his re-election campaign. Against the odds and local traditions which frown upon mixed marriages, the bridegrooms from SugarTown set out on a great journey to find their future brides and happiness.

The Way Without Limits(es)

The Way of Saint James, northern Spain, 2016. Two brothers, Oliver, the eldest, and Juan Luis, the youngest, a disabled person in a wheelchair, face the hardest challenge they have found so far on their long road of dirt, stones, rain and cold. Everyone says they will not make it, but, fortunately, they are not alone.

John Ford: The Man Who Invented America(fr)

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

North by Current(en)

Filmmaker Angelo Madsen Minax returns to his rural Michigan hometown following the death of his infant niece and the subsequent arrest of his brother-in-law as the culprit. Using the audio-visual approaches of essay film, first-person cinema vérité, staged actions, and decades of home movies, Madsen navigates a town steeped in opioid addiction, economic depression, and religious fervor, while using the act of filmmaking to rebuild familial bonds and reimagine justice. Posing empathy as a tool for creating a more just world, North By Current does not seek to investigate a crime, but creates a relentless portrait of an enduring pastoral family, poised to reframe and reimagine narratives about incarceration, addiction, trans embodiment, and ruralness.

Las Hurdes, a Land with Soul(es)

A modern answer to Luis Buñuel's mythical documentary “Land Without Bread” (1933) about Las Hurdes, a historically impoverished region of the province of Cáceres, in Extremadura, Spain, and also a journey of discovery of the soul of this beautiful land and its inhabitants.

Fighting Soldiers(ja)

Documentary of an Imperial Japanese Army regiment's advance from Shanghai to Wuhan in 1938. This film was shelved before submission to Home Ministry censors amid rumors that Fumio was a Communist.

Pelerinaxes(gl)

Luzía visits the eight stages of the 'pilgrimage' that the intellectuals Otero Pedrayo, Vicente Risco and Ben-Cho-Shey hiked from Ourense to San Andrés de Teixido in 1927; the story of the journey was published in the book ‘Pelerinaxes I’ (Pilgrimages I). She carries out this journey in order to finish up an audiovisual project about Otero Pedrayo’s book started at the University, together with a colleague who passed away in an accident.

Modern Life(fr)

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

A Place of Our Own(it)

Nous paysans(fr)

In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.

La ruta de don Quijote(es)

A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.

Alexis Tremblay: Habitant(en)

This short documentary illustrates rural French Canadian life in the early 1940s. The film follows Alexis Tremblay and his family through the busy autumn days as they bring in the harvest and help with bread baking and soap making. Winter sees the children revelling in outdoor sports while the women are busy with their weaving, and, with the coming of spring young and old alike repair to the fields once more to plough the earth in preparation for another season of varied crops. One of the first NFB films to be produced, directed, written and shot by women.

Cowboys: A Documentary Portrait(en)

Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.

Like Water Through Stone(pt)

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.

Ruralista: você não nos alimenta e não nos representa!(pt)

Four Roads(it)

In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.

Constable: A Country Rebel(en)

The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.