While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.
While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.
1978-01-01
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Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
This is the story of a vegetable garden, from the first seeds to the harvest. But this garden is different, because here the gardener has decided to banish pesticides and other chemicals, and to be helped only by discreet workers, the insects. As we dive into the heart of this plant kingdom, we discover thousands of tiny lives that organize themselves as in a micro-society: decomposing insects, recyclers, pollinators, the workers of the garden work to maintain a fragile balance within the vegetable garden. As the plants grow and begin to produce their first vegetables, the incredible interactions between insects and plants help protect the future harvest. But it is also their personal stories that punctuate the life of the garden. Between parades, mutual aid and attempted putsch, the story of the vegetable garden thus takes the form of a true nature tale.
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
This documentary tells the story of the revitalization of the Longwood Garden's (Kennett Square, Pennsylvania) Main Fountain Garden, a lavish jewel in the crown of one of the greatest collections of fountains in the United States.
Created over 75 years and three generations, Les Quatre Vents stands as an enchanted place of beauty and surprise, a horticultural masterpiece of the 21st century. See how Frank Cabot gave birth to one of the greatest gardens in the world.
A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.
For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.
This eye-opening and bittersweet chronicle of the Yugoslavian film industry recounts how the cinema was used—often with direct intervention from President Josip Broz Tito—to create and recreate the young nation’s history, replete with heroes and myths that didn’t always hew closely to reality.
90-year-old architect Shuichi Tsubata and his 87-year-old wife Hideko live in Aichi Prefecture. Their garden is bursting with 70 types of vegetables and 50 types of fruits, and they live in harmony with nature.
The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars - people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.
True stories of the Croatian People's struggle to overcome oppression from communist Yugoslavia and the 1990's fight to save their war ravaged homeland.
The Thanet coast featuring boat rides, horses and family outings.
It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.
Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used to seeing in recent times. But the year is 1944, and the refugees are travelling from Europe to Africa. After Italian capitulation,and before the arrival of German army, 28 000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.
Filmmaker Victor Erice follows Spanish artist Antonio Lopez in his painstaking attempt to paint the image of a tree.
ITV Naturalist Nigel Marven stars in this drama-documentary in which he explores his own back garden, in all its intricate detail. Shrunk to the size of an ant, he and his two companions - technical assistant Laura Green (Sarah Matravers) and driver Doug Kruger (Robin Lawrence) - embark on a mission to cross Nigel's back garden in just 24 hours. Along the way they meet some of the many thousands of creatures that fight for survival every day in these urban jungles .
Emir Kusturica views himself as a rock musician and believes that he became a world-famous filmmaker by pure chance, as he shoots his movies only in between concert tours with the “No Smoking Orchestra” band. At these little pinpoints of time he gets “Palms d’Or” at Cannes, “Golden Lions” in Venice, builds his own villages, a power plant and a piste and regrets not becoming a professional football player. Kusturica’s own living is very much similar to his movies, where shoes are polished with cats, death is treated like a story from tabloid press, and life is a miracle...
Sarajevo lived through the longest siege in modern history. The Siege is a film about those who lived through it, about the human experience of the besieged. Through Sarajevo to beyond Sarajevo, it is the story of a surrounded city, of a battle and resistance. It is also the universal story of civilization facing a terrible challenge to its existence, of a struggle for its survival. Sarajevo resisted and survived. The Siege describes a vertiginous descent into war.