Luminous Void: Docudrama(2019)

Apollo 1: Destination Moon(en)

At the height of the space race, three U.S. astronauts are tapped as the first Apollo crew. With dazzling archival footage and exceptional access, this riveting documentary explores the tragic events that followed, shaking NASA to the core.

A Heart Set Free: Charles Wesley(en)

A biography of Charles Wesley, father of the Weselyan Church, hymn writer, and preacher.

Wide Open(xx)

After awakening in her basement, the protagonist finds herself cursed by an object, rendering her unable to blink. Haunted by a sinister silhouette creature that appears from various locations, she realizes her only chance of defeating it lies in mastering the ability to confront the creature without averting her gaze.

Shake Hands with Danger(en)

This short cautionary training film examines dangers associated with earthmoving equipment operation, showing many simulated accidents on construction sites.

Las Preguntas que Perdimos(es)

Mucha: The Story of an Artist Who Created a Style(cs)

Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.

42 Up(en)

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

Stranded: I've Come from a Plane That Crashed on the Mountains(es)

The story, told by the survivors, of a group of young men, members of a Uruguayan rugby team, who managed to survive for 72 days, at an altitude of almost 4,000 meters, in the heart of the Andes Mountains, after their plane, en route to Chile, crashed there on October 13, 1972.

Four Daughters(ar)

Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.

Three Days(en)

Three Days is a feature film exploring the on-and-off-tour lives of Jane's Addiction. Set predominately on their 1997 'Relapse Tour', this docu-drama weaves audiences throughout the band's legacy in a colorful, fast-paced orgy of gritty backstage drama and rare musical performances

The Gutenberg Enigma(fr)

A portrait of the inventor of the letterpress, who was a key figure in the history of mankind, but also an enthusiastic inventor, a daring businessman, a tenacious troublemaker: the life of Johannes Gutenberg (circa 1400-68).

DAN(az)

WHAT IS THE BEST FOR HIM? HIMSELF? THEM? HER? A twenty-year-old young man sees himself as someone who struggles in social life. One day, while looking in the mirror,he sees a change in himself, and from then on, everything started to change.

Journey to Somewhere(es)

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Proyecciones del Limbo(es)

A Bunch of Questions With No Answers(en)

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.

EXILE(en)

An immigrant's last attempt to restore childhood innocence on strange lands.

Winter(bg)

During another snowless winter, a famous freeride skier has a chance encounter with two kids on the street, which prompts him to dig through his grandfather's old family albums, capturing the snowy winters of the past. Immersing himself in the photos, the young man is transported to the parallel world of the winter mountains. Is winter irretrievably lost?

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

TRAILERS(en)

TRAILERS unites the most personal and experimental aspects of underground filmmaking with a scope that is as cosmically vast as a science fiction epic. Rashidi’s ongoing exploration into the nature of cinema sees a group of characters adrift in space, each locked into their own sexual rituals while a cataclysm of universal proportions unfolds. Humanity has become a mysterious burlesque show for alien eyes: the gaze of the film camera. This visionary spectacle uses multiple formats and visual textures in weaving an erotic anti-narrative suspended in its own space and time.

Self Decapitation(en)

Self Decapitation is a Janus-headed self-portrait by Rouzbeh Rashidi and Maximilian Le Cain in which death and desire each take possession of this film in two parts. The ambiguities of inhabiting a human body are conjured by way of film technology in its faults, faulty memories and false promises. There is no escape from its haunting – except perhaps to haunt it in turn…