Maritime Kvinner(2010)

Antwone Fisher(en)

A sailor prone to violent outbursts is sent to a naval psychiatrist for help. Refusing at first to open up, the young man eventually breaks down and reveals a horrific childhood. Through the guidance of his doctor, he confronts his painful past and begins a quest to find the family he never knew.

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Battleship Potemkin(ru)

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.

The Bounty(en)

An idyllic voyage to Tahiti in 1789 turns a crew aboard the H.M.S. Bounty against its captain when they find a tropical paradise.

Oldemors reise(no)

Money for Bread(de)

Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.

Congo(no)

In the spring of 2009 two Norwegian adventurers, Joshua French and Tjostolv Moland, are accused of killing their hired chauffeur just before crossing into the eastern Congo. The following manhunt starts a political and diplomatic headache.

Max Manus: Man of War(no)

Max Manus is a Norwegian 2008 biographic war film based on the real events of the life of resistance fighter Max Manus (1914–96), after his contribution in the Winter War against the Soviet Union. The story follows Manus through the outbreak of World War II in Norway until peacetime in 1945.

22 July(en)

On 22 July 2011, neo-Nazi terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. This three-part story focuses on the survivors, the political leadership of Norway, and the lawyers involved.

Das Boot(de)

A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.

Po boku mužů(cs)

The Vikings(en)

Einar, brutal son of the viking Ragnar and future heir to his throne, tangles with clever slave Eric, for the hand of a beautiful English maiden.

The Taste of Salt(fr)

At Ngay Ngay, a village in northern Senegal, there are real natural evaporative basins in which depending on the year large or small quantities of sea salt dry out. Located 15 kilometres from Saint-Louis, the village is living around a complex community organisation: men divide the salt fields into plots, and women are those who harvest. In the end, the men receive a share of the crop, while women are those who took great pains over the harvesting.

Everyday(fr)

A school teacher never just teaches. A step back in time of the life of a school teacher in a small city in the North of France and her experience of the profession.

Where the Trains Used to Go(no)

Time-lapsed film from the perspective of a train moving slowly down the railroad tracks.

Det siste vitnet(no)

Max Manus - Mannen og Myten(no)

The life of Maximo Guillermo "Max" Manus, a Norwegian resistance fighter, before and after World War II.

Building a Dream: The Moorhead Stave Church(en)

The Hopperstad stave church is a marvelous, iconic architectural statement from the fjords of Norway. Replicating the "stavkirke's" spiritual power and beauty became a quest for G.D. "Guy" Paulson of Fargo, ND. His Hopperstad Stave Church Replica is a jewel for the city of Moorhead, MN. Paulson's dream captured the imaginations of the experts, craftsmen, artists, and volunteers who helped him. It is a tribute to those who have gone before and an inspiration to those yet to come.

DRIVER(en)

DRIVER is a soulful exploration of resolute female long-haul truck drivers pursuing validation for their hard-earned work as they navigate the oppressive forces in their industry. Employing an intimate lens, Nesa Azimi’s first feature brings the audience into a community of solidarity and self-determination.

The Weight of Sight(no)

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?