Hoax II is a 34 day, 17 city, 10,000 mile odyssey that criss-crosses America and documents the aggressive in-line skating scene. A 33 foot motor home called Skippy is the chariot for these gods of skating. Spend 5 weeks living with Arlo, Brian, B, Mike and Brooke as they live "The Real World", where each city provides new challenges and new opponents.
Hoax II is a 34 day, 17 city, 10,000 mile odyssey that criss-crosses America and documents the aggressive in-line skating scene. A 33 foot motor home called Skippy is the chariot for these gods of skating. Spend 5 weeks living with Arlo, Brian, B, Mike and Brooke as they live "The Real World", where each city provides new challenges and new opponents.
1995-01-01
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From the producers of The Hoax and Mad Beef comes Hoax II - Anarchy Across America.
Honour West and Joan Camuglia-May share their experiences in this upbeat roller-skating documentary.
BARELY DEAD is a film about an underground culture that has grown beyond ethnicity, economic and social boundaries - a culture brought together by a shared love for rollerblading." And why that culture is going to be the next great anti-establishment movement for the 21st century.
Everyone speaka the Broken English, or at least we hoped as we began our global mission to capture the most insane skating ever seen on film. Hoax III - Broken English, the third in the infamous Hoax Trilogy takes you around the globe, but keeps bringing you back to where street skating began, the good ol' USA.
From the producers of The Hoax comes Mad Beef - An Inline Felony: A 45 minute quest for truth and the meaning of life. The Mad Beef crew travelled from the streets of New York city to Venice, California via Omaha, Nebraska seeking the most buckled handrails and burliest half-pipes ever. Our quest for knowledge continues with Mad Beef. Watch the best skaters in the world as they represent!!! Mad Beef proves that there is no limit to the sport of aggressive inline skating.
This video has been brought to you by your friends at Throne Productions and Scribe Industries. We hope you enjoy and hope that all your skating dreams come true.
Welcome to the insane world of In-Line skating, the fastest growing sport in America! The Hoax is a 45:00 rollercoaster ride through the world of aggressive In-Line skating. See the world's premier in-line skaters execute the most aggressive stunts ever captured on film. Witness the sessions, rituals and lifestyles of the country's top pros as they skate and crash their way through Los Angeles, San Francisco and New York. This action packed adventure moves to some of the most cutting-edge music around, including songs by: Bad Religion Biohazard Offspring Skatenigs Penny Wise Bazooka Hungry Crocodiles Monster Voodoo Machine.
This video will teach you Debbie's unique Merrill Magic Program, an informative, motivational and entertaining way to learn in-line skating. You'll learn skills and drills to trick your body into a safe, fun and exhilarating skating experience. Debbie's dynamic technique will take your mind off your fears, freeing your body to skate effortlessly, easily and safely. In one hour, you can teach yourself to skate to look and feel great at any age. Debbie's skating technique cultivates personal empowerment, strength, stamina, balance, coordination, weight loss and control. See how quickly your skating will become a part of your fitness and fun! Join 27 Million people enjoying America's fastest free moving exercise.
Andy "Brink" Brinker and his in-line skating crew--Peter, Jordy, and Gabriella--who call themselves "Soul-Skaters" (which means they skate for the fun of it, and not for the money), clash with a group of sponsored skaters, Team X-Bladz--led by Val--with whom they attend high school in southern California. When Brink discovers his family is in financial trouble, he goes against the wishes of his parents and his friends and joins Team X-Bladz. Brink tries to lead a double life but will be able to pull it off?
A mysterious serial killer attacks the roller skater community in London. The police cannot catch him, as he is a very skilled and fast roller skater himself. A group of friends decide to take the matter in their own hands, and organise a man hunt across the streets of London.
Looks at the emergence of lesbian feature filmmakers in the U.S. and how they produce films on a small budget. Interviews with directors Rose Troche (Go Fish); Sharon Pollack (Everything Relative); and Alex Sichel (All Over Me) as well as producer Dolly Hall, executive producer Christine Vachon and writers Sylvia Sichel and Guinevere Turner.
We all know Jack Nicholson the actor. But few know the history of Jack Nicholson the screenwriter, and especially Jack Nicholson the director. Nicholson's lifelong friend, filmmaker Henry Jaglom, reflects on the icon's behind-the-camera career, while film historian/filmmaker Daniel Kremer presents and analyzes the full scope of that history.
Onboard the Panerai container ship, the young sailor Rudmer dreams of becoming a captain himself one day.
In 1968, filmmaker Jules Dassin collaborated with Ruby Dee and civil rights activist Julian Mayfield on Uptight, a "politically radical" film noir about Black revolution, framed against the April 4 assassination of Dr. Martin Luther King, Jr. Director, producer and co-writer Dassin, a blacklisted American exile, returns to his birth country after having gone into a second exile from his adopted country Greece, then makes a film that roiled the powers that be (or "powers that were") in the U.S. government. The material so upset the FBI that they closely monitored the production up until the eve of its premiere, recruiting crew members as moles. The irony is rich, as Uptight was a remake of John Ford's The Informer (1935) and dealt with a turncoat character who engineers the assassination of a revolutionary leader. How is Uptight both an outlier (or anomaly) as well as simultaneously integral to the career of Jules Dassin?
Otto Preminger wasn't only one of the most famous directors of classic Hollywood. He was a presence, a brand, and the only one who rivaled Hitchcock as the greatest showman and self-promoter of his generation. But toward the end of his career, his attempts to "get with the times" (with films like Skidoo, Tell Me That You Love Me Junie Moon, Such Good Friends, Hurry Sundown, and others) shocked, alienated, and outright repelled audiences. What happened to Otto and how can one best appreciate and enjoy those confounding later works?
Canadian-born filmmaker Sidney J. Furie made his name with British hits like The Young Ones (1961), The Leather Boys (1964), and The Ipcress File (1965). When he arrived in Hollywood, Marlon Brando and Frank Sinatra wreaked havoc on his first major studio productions. In 1968, the newly emigrated director joined a stable of cutting-edge filmmakers at Paramount Pictures, under the new leadership of Bob Evans. His films saw both a stylistic departure and a shift in thematic focus. What was behind the evolution, and which aspects unite all of Furie's films?
Having worked in a wide range of fields from children's TV animation scripts to 'pink' films, independent auteur Okishima Isao directs and stars in this documentary. Upon hearing that the walkway along the Tamagawa Aqueduct, one of his favorite spots, was going to be closed to make way for a new road, he gathered his crew to document the scenery. Okishima gives accounts of various painters, writers, and manga artists, as well as his personal take on Saigyo, the traveling poet and Buddhist priest of the late Heian Period.