
The film was originally conceived as a portrait of Dr. Nawal El Saadawi, the well-known Egyptian doctor, writer, and women’s rights activist. But the director was disappointed by the encounter with the woman who had been her great role model. Instead, she set out to discover what life means to Egyptian women by visiting her female relatives. Her mother, aunts, and neighbors talk about life as a married woman, about the traditional clitoridectomy of girls, about love and sexuality. The result is a very impressive and extremely personal film.
Herself
Herself

The film was originally conceived as a portrait of Dr. Nawal El Saadawi, the well-known Egyptian doctor, writer, and women’s rights activist. But the director was disappointed by the encounter with the woman who had been her great role model. Instead, she set out to discover what life means to Egyptian women by visiting her female relatives. Her mother, aunts, and neighbors talk about life as a married woman, about the traditional clitoridectomy of girls, about love and sexuality. The result is a very impressive and extremely personal film.
1991-02-05
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7.8At an altitude of nearly 4,000 meters, Sking is one of the most isolated villages in the Himalayan region of Zanskar. In just three months, from August to October, the Zanskaris have to harvest and store all their food for the coming year. All the women-young and old alike-work nonstop, from dawn to dusk, and worry about the arrival of winter. Filmed from the point of view of a subjective camera by a young female ethnologist, Land of Women offers a sensitive and poetic immersion in the life of four generations of women during harvesting season. We share their rare intimacy and gradually grow attached to them.
7.5In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.
10.0The inspiring story of a young Indian Muslim woman who trades her burka for dreams of playing on the Mumbai Senior Women's Cricket Team and how the harsh realities for women in her country creates an unexpected outcome for her own family, ultimately shattering and fueling aspirations.
7.5After 20 years of living in Berlin, the director Olga Delane goes back to her roots in a small Siberian village, where she is confronted with traditional views of relationships, life and love. The man is the master in the home; the woman’s task is to beget children and take care of the household (and everything else, too). Siberian Love provides unrivaled insights into the (love) life of a Siberian village and seeks the truth around the universal value of traditional relationships.
8.0A documentary that proposes a conversation about the way children are praised. While girls are often praised solely for their appearance, boys can receive compliments by highlighting their skills. "Rethink the Praise" reflects on the power of words and culture that has brought an imbalance in the way we commend our boys and girls.
0.0Nefertiti's Daughters is a story of women, art and revolution. Told by prominent Egyptian artists, this documentary witnesses the critical role revolutionary street art played during the Egyptian uprisings. Focused on the role of women artists in the struggle for social and political change, it spotlights how the iconic graffiti of Queen Nefertiti placed her on the front lines in the ongoing fight for women's rights and freedom in Egypt today.
When terrorists shattered their lives, two women set off on an extraordinary journey to rebuild themselves and the lives of women half a world away.
7.5From 3 stars chefs to female cooks, sommelières, entrepreneuses all around the world, meet innovative women who want to change the world through gastronomy.
7.0Authors, teachers, social activists and feminists explore manifestations of contemporary women's spirituality in the Western world.
8.0An inspirational story about a group of women from a remote farming region of Costa Rica whose ideas sparked a revolution in the coffee growing world.
0.0A painter, a naked woman, and a camera. In this triple constellation we explore the power of the gaze and the roles it imposes on us. An artist's studio turns into the setting for questions about how we look at and perceive women. The naked skin of the model becomes the canvas for an audiovisual exploration of the ways in which seeing and being seen anchors us in our body. And how this body shapes our experience of the world and our role in it.
0.0Documentary about the world of the Japanese geisha. Unattainable by all but the wealthy and powerful, geisha are the ultimate massagers of the male ego. Behind the delicate fan and enigmatic smile can also be found a darker side to the geisha story, including treachery and suicide.
4.9Gender activist Diane Torr’s worldwide appearances and workshops are now legendary. For the past thirty years, the main focus of this performance artist’s work has been an exploration of the theoretical, artistic as well as the practical aspects of gender identity. Katarina Peters’ documentary observes a Diane Torr workshop in Berlin in which a group of open-minded women come together to discover the secrets of masculinity. What makes a man a man and a woman a woman? Precisely when and where is gender identity formatted? How much is nature and how much nurture? Each of Torr’s workshops represents an open-ended laboratory experiment in social behaviour in which the question is posed: is it possible to deliberately play out different roles and create a space in which to transgress both masculine and feminine characteristics?
0.0Everything about the Quebec visual artist Lyne Lapointe reflects the grip of art on her life. Lesbian and feminist, she tirelessly highlights in her work the challenging position of women in society and in the art world. This concern is the common thread in the story of her life and projects. Despite a serious accident that ended her first series, revolutionary urban creations that earned her international reputation, she reinvents her approach with the tenacity that characterizes her, ultimately becoming the subject of significant exhibitions in Quebec, Canada, and abroad.
0.0Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories, of their lives and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery. Twelve resilient, determined and articulate women from disparate walks of life: lawyers, artists, housewives, activists, architects, and politicians stitch together the story of their homeland, of their dispossession, and of their unwavering determination that justice will prevail. Through their stories, the individual weaves into the collective, yet remaining distinctly personal. Twelve women, twelve life-spans, and stories from Palestine; a land whose position was fixed on the map of the world, but is now embroidered on its face.
5.0Alberta, Julia, and Catalina are three Chatino migrant women who have had to leave their communities to work on the Oaxacan coast. Catalina sells food, while Alberta and Julia work in lime and papaya orchards. The three women endure discrimination and the challenges of survival in an unknown place—all in order to improve their families’ quality of life.
7.6What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
6.0The story of an American hero and the Cherokee Nation's first woman Principal Chief who humbly defied all odds to give a voice to the voiceless.
0.0A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.