The Right Timing(1942)

Notes about identity(es)

The History of the Pit Stop: Gone in Two Seconds(en)

The mavericks who pioneered the modern pit stop made it a raceday staple that takes less than two seconds.

The Zodiac(en)

The history of the infamous serial killer known as the ‘zodiac’ in the late 1960s. It takes you through his kill rampage and to the case that still to this day has not been cracked.

Quince: el documental(es)

A journey through the golden age of Spanish rugby, from the late eighties to the early nineties: the incredible story of men who, with hard work, effort and perseverance, proved that any goal can be achieved.

Jürgen Klopp: Germany's Greatest Export(en)

The extraordinary story of how Jürgen Klopp became the savior of Liverpool Football Club and one of the most admired football managers in the world.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Mild Madness, Lasting Lunacy(fr)

This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

Les yeux dans les Bleus(fr)

This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.

The Story of Ecru(en)

In 1996, Reebok and Liverpool FC created one of the most iconic kits of the 90s. Jay Pearson decided to go on a time-travelling journey to find out just how 'Ecru' came to be and the impact it had in football.

John Barnes: Poetry in Motion(en)

'Barnes: Poetry in Motion' tells the story of one of football's most iconic figures, John Barnes, starting from his arrival in England from Jamaica and then being recommended to Elton John's Watford by a cab driver who had seen him play for non-league Sudbury Court. It was while at Watford that Barnes launched his international career and would go on to be capped 79 times for a country that he was not initially eligible to represent. At Liverpool, John would establish himself as one the greatest player in the club's history, winning the league championship and the Football Writers' Player of Year award in two of his first three seasons at the club. Off the field John found a home in Liverpool, forming an ever-stronger bond with the city in the aftermath of the Hillsborough.

One Second in Montreal(en)

A silent succession of black-and-white photographs of the city of Montreal.

47 Days, Sound-less(en)

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

To Kill a Mockingbird: All Points of View(en)

A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.

Song 5(en)

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

The Talk(en)

“The Talk” showcases the experiences of three LGBTQ+ youth learning about sex health under an inadequate Canadian sex-ed curriculum. Each subject opens up about their knowledge surrounding sexual health, gender identity, the not so honest information they were taught in their classrooms and its impact on their self-image.

Changing the Game(en)

Transgender high school athletes from across the country compete at the top of their fields, while also challenging the boundaries and perceptions of fairness and discrimination.

Berliner Ballade(fr)

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.