Documentary about a Syrian refugee family that just arrived in the Netherlands.
Documentary about a Syrian refugee family that just arrived in the Netherlands.
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Each year 400.000 people from Africa, Asia and Middle East, try to enter Europe. They flee from war, persecution and poverty. Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Aunt Neirud was always present at family gatherings. Neirud was big, strong, and worked in the circus. Who was this woman so close to the family and about whom we know so little?
Currently, purchasing cannabis is done through 'the back door'. What is sold legally is purchased illegally. The end of 2019 marked the start of a four-year experiment in which cannabis grown under state supervision is legally traded. This should lead to less crime and better quality weed with fewer harmful substances. After a strict selection procedure, ten growers are selected who can supply this government weed. Bromet follows seasoned grower John - who wanted to run his nursery as legally and transparently as possible, but still lost everything after a lawsuit - and the businessmen of plan C who want to grow cannabis for the first time. Bromet also interviews coffee shop owners, politicians involved and both supporters and opponents. A follow-up documentary was made in 2024.
Frans Bromet follows several cannabis growers who have been selected by lottery as the first suppliers of legal cannabis. Sequel to the 2021 documentary 'Legal Weed'. Ten growers have been selected by draw as the first legal cannabis growers for an experiment that would last four years. These are large companies where a lot of money is spent to enable large-scale production of cannabis. But the actual experiment still hasn't been fully rolled out. Only in a few cities is legal cannabis available in coffee shops. The biggest problems that growers and sellers face are supply stocks and the complexity of the track and trace system. Every movement of the weed must be registered. And that is almost impossible with a failing computer system. The future of the experiment remains highly unpredictable four years after its announcement.
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910s. Amidst the solitude of his home routines — coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year — we glimpse an unexpectedly rich inner life.
Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.
Following the death of their parents, Harriet and her siblings must unpack their childhood fears as they prepare to sell their dragon-filled Oxfordshire home. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind.
A portrait that follows Nan, my uncle and the last two years he and his parents live together. In long, tightly framed shots, a picture emerges of three intimately interwoven lives: the gentle and touching bickering between Nan and his mother, the evenings in front of the television when time seems to stand still, and the minutes ticking by as Grandpa silently peels an apple. In the film, disability is not only seen as symptoms on individual bodies, but as social, physical, and temporal relationships. It is a meditation on time, disabilities, and the economies of care in contemporary China.
Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.
Eneida, 83 years old, makes a journey into her past, in search of her firstborn daughter, whom she has not seen for over two decades.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
The story of a young gay man who faced persecution due to his sexuality and made a frightening journey to the UK with just a suitcase.
Girt By Sea is a cinematic love letter to the coastline of Australia - a poetic celebration of our connection to the sea as documented through archival footage over the past 100 years.
"Dance or Die" is a moving documentary about a young Syrian dancer who escapes the war and finds a new life in Holland. But the ghosts of the past won't let him go. With the war and the advance of the Islamic State in Syria, the young classical dancer Ahmad Joudeh lost everything – part of his family, his home, but also the right to practice his art. However, he will use dance as a weapon against Daesh. Three words adorn the neck of Ahmad Joudeh: Dance or Die. The tattoo is a declaration of war against IS if it takes him over. (Text: arte)
A 3-year-old girl and her family's long journey from a Greek refugee centre to Uppsala.
In 1939, Joel and Jana escape from their village because of the arrival of the Nazis. That decision would make them the only ones in their family to survive the Holocaust. 80 years later, Juliet, their granddaughter, decides to retrace their steps to understand what lies behind her father's silence. Then, she begins to suspect that there is a part of her own history that was omitted.
By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.