Woman(1968)

Where Are You, Bertrand Bonello?(fr)

An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

An Experiment in Leisure(nl)

An Experiment in Leisure explores the link between free time and creativity, between leisure and the kind of imaginative contemplation it facilitates.

Equilíbrio e Graça(pt)

A short film about the meeting of a Trappist monk and a Zen Buddhist master.

Glückstag(de)

Clint Eastwood's West(en)

An entertaining look at Clint Eastwood's storied career as a Western icon and filmmaker, featuring interviews with Clint Eastwood, Morgan Freeman, Kevin Costner, Frank Darabont, John Lee Hancock and many more.

Skating-rink in the Royal Baths(xx)

The film was about a group of Polish ice skaters at the slide of the Warsaw Ice Skating Society. The film was filmed using a pleograph which was an early type of the movie camera invented by Kazimierz Prószyński.

Walter Potter: The Man Who Married Kittens(en)

Amateur taxidermist, Walter Potter, became an unlikely success by putting his creatures in human positions and scenarios, referred to as anthropomorphic taxidermy. Potter's Museum, filled with his creations and collection of oddities and curiosities dazzled millions for over a hundred years until the collection's unfortunate separation in 2003. While largely about the man and his creations, the film also takes a look at the obsessive nature of collecting, as well as the controversial history of stuffing dead animals.

Freedom from Despair(en)

True stories of the Croatian People's struggle to overcome oppression from communist Yugoslavia and the 1990's fight to save their war ravaged homeland.

Poor-Land(pl)

A documentary about unemployed workers in Walbrzych, Poland.

The Artist in Me(en)

A short documentary following 19-year-old Amanda Dunbar, who shares her thoughts on being an artist alongside a group of children in her art class. This documentary is included as a special feature on the 2002 Barbie as Rapunzel DVD.

Edwin(en)

Edwin Debrow Jr. murdered a cab driver when he was 12. He was sentenced to 40 years in prison.

Preston's Gone(en)

Preston Thornton, an Army veteran, was experiencing paranoid delusions at his home. After calling the Veteran's Crisis line, deputies arrived to transport Preston to a hospital, and tragedy followed.

How Turfing Became Synonymous with Oakland(en)

Turf dancers combine abrupt, angular movements with graceful footwork. This short film is an episode of the award winning Youtube series If Cities Could Dance, featuring dancers across the country representing their city’s signature moves.

Dias Atípicos(pt)

A Culpa é do Sol(pt)

Llamen a un adulto (Sepiaexperimental)(es)

Closed Beaches(xx)

Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.

Half Sour(en)

A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.

LSD Psychedelic Freakout 2000(en)

A far-out trip through two hours of psychedelic clips from 1960's hippie flicks.

Maniac Summer(fr)

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.