"Bread" - a Bolshevik propaganda tale about the fundaments of living.
"Bread" - a Bolshevik propaganda tale about the fundaments of living.
1918-11-07
5.417
An exposition of friendship and a feeling of belonging to a different place, yet you are in a common one. This film is about a day in the life of 3 friends.
Sergey and Anya are on the verge of divorce. For several years of family life, they managed to get each other hard. Anya reasonably considers Sergei to be a jerk, unsuitable for family life. Sergey got fed up with his wife's constant irritability, he is sure that Anya had never behaved like that before and was funnier. The couple are going to go to the registry office to put an end to the relationship, but fate orders otherwise. Leaving the house, the couple miraculously return to the apartment every time. And this is not the only oddity. It's winter on the calendar, summer outside, and the eternal 8:45 on the clock. And in this new reality, they will have to get along somehow.
In 1969, the band Sweetwater led by lead vocalist Nansi Nevins opened Woodstock and subsequently got considerable media attention, appearing on a number of TV shows. But just as they appeared to be getting a really break big, they just disappeared. Thirty years later, a cable TV reporter for MIX TV, a musical station, is removed from her show because of being stoned on air. Her station gives her a choice of being dismissed or investigating what happened to Sweetwater. A blending of modern day fiction and past fact is then blended in this biographical story.
The female protagonist finally makes it to get a job as an intern. But after a while working at this weird company, she finds out the criminal site of it and learns to be a criminal herself.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
Sandra, the peculiar 50-year- old woman gets fired from her job at the TV station. Unable to find a new job, she decides to fulfil her dream and finally have her five minutes of fame as a singer.
Reggae exploded in the 1970s and Cimarons, the UK's first reggae band, formed in 1967, were at its heart. Thousands of miles from Jamaica, they brought excitement, experimentation and sheer anticipation to a new generation of Black British youth, putting them in touch with their roots. Harder Than The Rock celebrates Cimaron's storied history and explores the band's overlooked impact and influence as they persevere against all odds and dream of playing to live audiences again, one last time...
Three friends device a plan that could help them ACE their accountings exam. The plan is - to steal the paper. What follows then is situational & slapstick comedy with a hilarious twist!
Jay, Mia, and Pitar were three friends who loved exploring the beauty of nature, especially during the autumn season. Their story unfolds over three special journeys, each capturing the warmth of friendship and the beauty of autumn. Their first journey took Jay and Mia to Frensham Great Pond, a beloved spot surrounded by vibrant autumn trees. As they walked along the water's edge, the cool breeze and golden leaves filled them with joy. They laughed, skipped stones, and admired the reflections of amber and red across the pond. For their second adventure, Pitar joined Jay and Mia at Sandy Hill in Aldershot, one of the highest points in the area. From the top, they could see all of Aldershot and even Farnborough in the distance. Standing above it all, they felt a deep sense of freedom and awe as they looked out at the rolling autumn landscape below. Their third journey led them to Tice's Meadow Nature Reserve in Surrey. Known for its peaceful trails and abundant wildlife,
"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."
A documentary on the struggle of millworkers, farmworkers, and people of Hacienda Luisita, Philippines.
A smug executive enjoys the perfect life - until he loses his job, and finds himself working at a burger joint. Now he's falling behind on his bills, and if something doesn't change soon, his family could lose everything by Christmas.
Julio inherits a mask like his father used to kill. A group of young people will arrive at his town and cross his path. Julio must decide whether to continue the family tradition or embrace the love he has just known.
Wandering through the forest, a woodcutter finds a golden fern whose seed turns into a beautiful woman - they fall in love. After getting drunk in a village feast, he gets to sign up to the army. The fairy gives him a shirt to wear and asks him to swear he will never abandon it. At the war front, he falls in love with the the colonel's daughter and will have to perform various feats to get her attention.
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.
Rookie policeman Tai Lin yearned to be an artist before he failed an examination and followed in his father's footsteps. One day he interrupts an apparent suicide attempt by a woman standing on the edge of a bridge.