Running 62(2018)

Australia: Land Beyond Time(en)

Australia: Land Beyond Time takes viewers on a breathtaking journey back in time to witness the birth and evolution of a mysterious land that harbors remnants of Earth's earliest life and many of it's strangest creatures that exist nowhere else on the planet.

Wombats: Bulldozers Of The Bush(en)

When shipwrecked sailors first encountered wombats, they did what they had to do to survive - they ate them! More than 200 hundred years later, the wombat still suffers at our hands, blamed for damaging fences and fouling pastures, this film examines the myths and realities of wombat life, above and below the ground, as scientists begin to understand these intrepid and resourceful Bulldozers of the Bush.

Salt of the Earth(en)

An Australian icon found on every supermarket shelf, and coating every game day pack of hot chips. But the story of the South Australian man who invented the famous Chicken Salt has never been told. While he sold the company in the late 70’s to the brand names you see in your cupboard today, he maintains that the original recipe, held secret for more than 40 years, tastes even better.

Dinolandia(es)

A mechanic discovers the fossil of a huge carnivorous dinosaur, unleashing a war between scientists, mayors and neighboring towns to keep “the biggest dinosaur in the world.” Among bone thefts, replicas and a mayor obsessed with creating Dinolandia, anything goes when it comes to surviving.

My Life As I Live It(en)

In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.

Lohnunternehmen: 5 Länder - 5 Geschichten(de)

Landwirtschaft in Australien Vol. 1(de)

100 Seconds to Beat the World(en)

The story of Kenyan athlete David Rudisha, the greatest 800m runner the world has ever seen, and his unusual coach, the Irish Catholic missionary Brother Colm O'Connell.

Carlos Sainz: The Operator(es)

Sons from Afar(en)

New Zealand hip-hop artist Che Fu and his father Tigi Ness travel to their island homeland Niue for the first time to unravel the shared histories. There they also wow the locals with a performance at the Niue Arts and Cultural Festival.

Kids On Ice(en)

Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.

After the Apology(en)

Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…

The Search for the Ocean's Super Predator(en)

There's a mysterious predator lurking in the depths of Australia's wild Southern Ocean, a beast that savagely devoured a great white shark in front of cinematographer David Riggs 11 years ago. Riggs's obsession to find the killer leads him to an aquatic battle zone that's remained hidden until now. Here, killer whales, colossal squid and great white sharks face off in an underwater coliseum where only the fiercest creatures of the marine world survive.

Dominion(en)

Exposing the dark underbelly of modern animal agriculture through drones, hidden & handheld cameras, the feature-length film explores the morality and validity of our dominion over the animal kingdom.

Bushfire Animal Rescue(en)

From the ashes of Australia’s devastating bushfires, wildlife survivors begin their long journeys to recovery. Australia’s fauna have evolved to coexist with bushfire, but these Black Summer fires are unprecedented in their scale, speed and intensity. Many native animals are unable to escape, or endure, without human help. We follow iconic species like koalas, kangaroos, wombats, and an endangered parrot through their rescue, rehabilitation and eventual release. Remarkable tales of compassion and dedication are revealed along the way – from an orphan wombat growing too attached to her carer, to audacious helicopter airdrops to feed remote rock wallabies. When the fires finally burn out, Australia looks to the science, innovation and Indigenous knowledge that will be needed to safeguard fragile wildlife in an even hotter future.

Still We Rise(en)

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Desert View(ar)

The film Desert View is dedicated to the study of building and living in the semi - built satellite city Madinaty, located in the desert east of Cairo. The movie was made during a four-week residency experiment, to which the filmmakers had invited the three-generation Barakat family from ashweyat (informal residential district) Bashtil as a sort of cinematic diary. The temporary residents of Madinaty, filmmaker and Barakat family, captured their observations and experiences of architecture and their use from their respective perspectives and cameras. Two external perspectives on the desert dreams of the Egyptian middle and upper classes.

Thanks Girls and Goodbye(en)

Documentary using archival footage, newsreels and contemporary interviews with women of the WW2 Australian Women's Land Army.

Voodoo Medics(en)

About trauma, resilience and post-traumatic growth in the medics who served with Australia's special forces in Afghanistan. From losing mates in the battlefield to treating horrifically injured Afghan kids in remote surgical theatres.

The Hunters(en)

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.