Tej, a youngster who's highly attached to his family, is banished from his home by his uncle. He then finds himself in London, where he falls in love with Nandini. After long pursuit, he manages to win over her heart, but before she could even tell him, a tragic incident puts a full stop to their love story.
Teja bhai (Prithviraj), a well known don in Malaysia, and his sidekicks are the top news of major dailies. One day, he happens to fall in love with Vedhika (Akhila), a girl who happens to pass through his life. Vedika also lives in Kuala Lumpur and works as a helper in an orphanage. The film revolves around on the love between them, without Vedika knowing the real job of Teja.
Raghu Ramayya is a man with limited time to live. His children, who all live elsewhere, struggle to schedule their time around his death. But what happens when his grandson Saitakes it upon himself to give his grandfather the farewell he deserves?
Nandan, a middle-class man, finds a suitcase full of money near his workplace and steals it. However, he is soon chased by a police officer, a notorious gangster and a corrupt politician.
The life and work of Jean-Baptiste Poquelin (1622-73), the greatest French-language playwright, Molière, who revolutionized theater by bringing to the stage, with lucidity and dazzling modernity, the themes of his time and who had a special relationship with Louis XIV, the dazzling Sun King, that allowed him to develop as an artist while using his talent, like that of many other artists of his time, to enhance his personal glory.
We are always told that love lasts forever like in children's fairy tales, but the reality is that people change and relationships expire.
George and his friends are kicking the can when an existential discussion turns catastrophic...
Filmed chronicle by mountain filmmaker Mario Fantin, of the 1964-1965 expedition of the Italian mountaineer Guido Monzino to the summits of Hoggar in the Algerian Sahara with the ascents of Garet el Djenoun, Tizouyag Nord, Saouinan and Iharen. The mountain ranges of the Hoggar desert turn out to be more complex and interesting than most mountaineers suspected at the time.
Co-founder of Canyon Cinema and the San Francisco Cinematheque and one of the godparents of experimental film, Bruce Baillie (1931-2020) has forged a singular path in his visionary explorations of the world, his exquisite treatment of light and fragmented storytelling influencing successive generations of like-minded filmmakers. Shot on a cross-country journey during 1964 and 1965, is the Baillie film most in need of rediscovery. Joining the ranks of Bob Dylan, Robert Frank and Jack Kerouac in chronicling a tumultuous period in American history from the road, Baillie sets out "to show how in the conquest of our environment in the New World, Americans have isolated themselves from nature and from one another."
Amidst fireflies and mangroves, the musician Papámarimba narrates the legend of El Libertario. A story about a ghost ship, a slave rebellion and the eternal struggle for freedom. But his son Canchimalo no longer believes in these stories. He thinks they are just superstitions, keeping his people in backwardness. A challenge that will bring him face to face with the spirits of his ancestors.
Noel Gallagher reflects on every song from Oasis' classic album, '(What's The Story?) Morning Glory'.
When the people of Maratabat finally realize that their time under the corrupt politician clan of the Abubakars has to come to an end— a series of violent acts occur one after another. The people rally behind another clan –the Mahardikas – to end the violence and place a new leader in their region. Will the Mahardikas choose a path of violence or peace? Will it be for honor or will it be for pride?
Jorge and Diego, two rival brothers who haven't seen each other in a long time, are reunited when their father dies and they decide to make a trip to the house of their infancy. The contact with the past and the secrets that come to light worsens the rivalry between the brothers and confronts them in a situation that will change their lives.
If you would like to witness the forces of colonialism in brute action, Rithy Panh’s extraordinary new film provides the long view. A masterpiece of editing, the film assembles archival footage and antiqued title cards into a wordless recapturing of the Indochinese Empire, beginning with the early days of French occupation. In this prelapsarian age, everything is golden with promise. Ladies, in empire waist gowns and enormous hats, throw candies to local children. Great steamships carry French culture abroad, and the Tricolore flag flies on high.
A man struggles to interpret the signals of a woman he walks home one night.
Freely adapted from Theodor Storm's novella of the same name.