The Boogeyman(1974)

Statues Hardly Ever Smile(en)

Edited by famed filmmaker Kathleen Collins, Statues Hardly Ever Smile follows a group of middle school children during a six-week project at the Brooklyn Museum, where they collectively discover and respond to the Egyptian collection. With narration by a member of the museum’s education department, we witness the group’s daily exercises and reflections as they create a theatre piece centered on the relationships developed with the objects and each other.

ENCRUZILHADAS DO SOM(pt)

The documentary adresses the meaning of music and the musical diversity present in Umbanda (a Brazilian religion with afroindigenous roots). With interviews with four umbandistas from Fortaleza - Ceará, Crossroads of the Sound pays reverence to the enchanted dimension where the sounds cross each other to make the spirits dance.

Sand bellies(es)

The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.

Contractions(en)

Intimate confessions, paired with experimental choreography outside a woman’s clinic in Memphis, offer a glimpse into post Roe v. Wade America.

Remembering Miss Torso(en)

A documentary about the actress who played Miss Torso, the dancer that caught James Stewart's eye in Alfred Hitchcock's classic film Rear Window.

A Última Sala(pt)

A Quiet Inquisition(es)

At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.

Inside the Outset: Evoking a Space of Passage(en)

It is an investigation into the loaded, transforming topography that is already palpable in the landscape, before we actually understand what language it creates for our society.

Sexual Happiness(zh)

Sex is a taboo topic in China, even though China is a large importer of the Japanese Adult Video (AV) industry. What happens when a Japanese adult video star such as Yui Hatano comes to China? This film shows the China's sexual liberation in a comedic way.

#MladiPitajuPoliticare(nl)

Stories of A(fr)

French documentary campaigning for the liberalization of abortion and contraception, directed by Charles Belmont and Marielle Issartel in 1973.

Cult People(en)

In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.

Heavenly Bodies(en)

A group of filmmakers shadow some glamour photographers in order to discover the skill involved in getting 'magic' to appear on the photos.

Ariane Moffatt, Petites mains précieuses en studio(fr)

A Mile and a Half(en)

Post Dobbs decision the Red River Women’s Clinic was forced to close its doors in Fargo, ND and move a mile and a half across the Red River to Moorhead, MN, into a state with very different reproductive rights legislation, in order to continue providing abortion services as well as other women’s healthcare to a wide region. This is a story of a collective action and resiliency.

The Longest Walk(en)

In the wake of the overturning of Roe v. Wade, a filmmaker is forced to confront the past when s/he returns to Kentucky to film the last abortion clinic in their home state – the very clinic where she sought help after she was raped as a girl years before.

Straight from the Heart: A Tribute to Philip Seymour Hoffman(en)

An homage to the late actor Philip Seymour Hoffman.

NARC. Mini-Doc – Outside The Mainstream: The North East’s Alternative Scene(en)

The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.

Radical Self Acceptance(en)

We are living in the time of a heteronormative society that antagonizes Queer people for their Being-ness. In Africa, it is believed that we are un-African to Proudly be Our LGBTQIA+ selves. In this short documentary, we share with you researched origins of modern homophobia and queerphobia, while exposing hidden truths about the English bible. The short is a testament to the harmful effects of colonialism and the dangers of religious indoctrination. This film offers audiences the opportunity to question what we have been told to believe is true about queer people.

Single File(en)

In the wake of cataclysmic regional change in the artist's homeland of Hong Kong, Simon Liu’s Cinema-Strobo-Scopic film features a laborious sequence of analogue darkroom practices and dense shrouds of video processing techniques which actively work to both conceal and reappraise approaches to personal expression in the face of censorship. Times ahead and behind collide - a new linearity is in need of; the glittering lore of the way things were, generations lost to resolution errors. Sifting through new realities of misinformation, digital consciousness, and cultural disappearance, "Single File" seeks new lexicons of disobedience through formal experimentation.