Love and Words Are Politics(NaN)

The Light in Her Eyes(en)

Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime

Crimes de guerre au Yémen, les complicités européennes(fr)

A look at the arms manufacturers supplying Saudi Arabia

To Spanish Women. María Lejárraga(es)

A fictionalised documentary that tells the story of María Lejárraga, writer and pioneer of feminism in Spain during the 1920s, whose work was produced under the name of her husband, the theatre impresario Gergorio Marinez Sierra. Lejárraga was the most prolific Spanish female playwright of all time. She is the author of works such as "Cancion de cuna", as well as a member of parliament for the Second Republic and founder of pioneering projects for women's rights and freedoms.

Amie & Fannas Striptrip(sv)

Frida Kahlo & Tina Modotti(en)

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

Utterance: The Music of Nusrat Fateh Ali Khan(en)

Short documentary about Pakistani musician, Nusrat Fateh Ali Khan (1948-1997), leading exponent of Sufi devotional qawwali singing.

Working Class(en)

Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.

Em Busca de Lélia(pt)

Big Zuu Goes to Mecca(en)

Chef and rapper Big Zuu makes a pilgrimage to Mecca on a personal spiritual journey to try and understand more about his faith and what it means to be 'a good Muslim'.

The Juanas(es)

This film shows the work done by the "socorristas" feminist network. Through informative talks and stories about the actions of emotional containment these women have with others who need support, it seeks to eliminate the stigmas on abortions while also bringing out the reality of the clandestine abortion.

Fragments(fr)

Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.

Town Bloody Hall(en)

Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.

Perfect Image?(en)

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Me Time(de)

In this documentary, 6 protagonists tell their personal experiences of abortion and sterilization, from unplanned pregnancy to a happy mother and vice versa from the wanted child to regretting motherhood.

This Is How a Child Becomes a Poet(fr)

The last day of Patrizia Cavalli’s home. Before it’s all gone.

TOMBOY(en)

TOMBOY explores the obstacles that young girls encounter on the recreational stage, the stereotypes, language issues and cultural disparities that follow, and ultimately the insufficient media coverage and compensation that afflicts elite professional athletes seeking full recognition for their talents. The journey of the female athlete is often discouraging, and despite progress achieved during the Title IX era, gender equity in athletics has a long way to go.

Bitter Rivals: Iran and Saudi Arabia(en)

Bitter Rivals illuminates the essential history - and profound ripple effect - of Iran and Saudi Arabia's power struggle. It draws on scores of interviews with political, religious and military leaders, militia commanders, diplomats, and policy experts, painting American television's most comprehensive picture of a feud that has reshaped the Middle East.

Mountain Queen: The Summits of Lhakpa Sherpa(en)

A Nepali mountaineer risks everything on a record-breaking Mount Everest climb to secure a brighter future for her daughters.

The Captain(en)

Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.

T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s(en)

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.