Sanjay (Govinda), an honest police officer, is determined to bust the crime world which has taken over the city. Criminals have made a mockery of justice. His father (Shashi Kapoor), a senior police officer himself, makes heroic efforts in the fight against crime and initially arrests kingpin Jagannath, but winning the battle does not win the war. Sanjay feels fed up and goes after Jagannath himself. He quits the police department and becomes a vigilante, losing his girlfriend in the process. Can he win back his girlfriend and his mother's love in his fight for justice?
Sanjay (Govinda), an honest police officer, is determined to bust the crime world which has taken over the city. Criminals have made a mockery of justice. His father (Shashi Kapoor), a senior police officer himself, makes heroic efforts in the fight against crime and initially arrests kingpin Jagannath, but winning the battle does not win the war. Sanjay feels fed up and goes after Jagannath himself. He quits the police department and becomes a vigilante, losing his girlfriend in the process. Can he win back his girlfriend and his mother's love in his fight for justice?
1990-12-28
2
Amid a tense political climate, the opposition leader is killed in an apparent accident. When a prosecutor smells a cover-up, witnesses get targeted. A thinly veiled dramatization of the assassination of Greek politician Grigoris Lambrakis and its aftermath, “Z” captures the outrage at the US-backed junta that ruled Greece at the time of its release.
Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
This is the story of Amit and Samara - two souls in Mumbai, a city of millions and how the universe conspires to bring them together. This is a coming of age film about how two people are destined to meet but only when their individual lives are ready for each other. Through a chance encounter, a series of coincidences and fates helping hand, Amit and Samaras lives intersect and affect each other. Whether they can find their true paths or not, only time will tell.
At a preview theatre, a young filmmaker waits in the hope of getting his new sci-fi drama certified with ‘no cuts’ by the conservative men of the Indian Censor Board. The board finds a kissing scene in the film beyond the duration stipulated by official, orthodox rules. The filmmaker and board members argue, but when they enter the movie theatre to review the film, the laws of physics begin to disintegrate, sending these men into a world of chaos.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.
Taking place approximately three years after the events in Friends, Paul and Michelle follows the family of Paul Harrison and Michelle Latour-Harrison after they have been reunited. Paul has to cope with the difficulties he faces balancing work, college, and trying to maintain their family as well as a new love interest for Michelle.
Three womanisers find a baby left at their doorstep. Chaos ensues as they try to contact their former girlfriends to determine who is the father amongst them.
A puzzling investigation leads a no-nonsense cop down a dark path involving the vicious rivalry between twin sisters and the volatile man they both love.
This film is about a university graduate Jackie Shroff, who can get no better job than a petrol pump employee, a girl Padmini Kolhapure, who is struggling to pay for college, and others in a building owned by Prem Chopra, who attempts to evict them with the help of Shakti Kapoor.
In the midst of India's struggle for freedom in 1942, a brave young girl starts an underground radio station to spread the message of unity, setting off a thrilling chase with the British authorities during the Quit India movement.
A political-drama where a young woman from a small village rises to power into the world of politics by breaking barriers of caste and patriarchy and overcomes the obstacles placed by her opponents to become the chief minister and work for the upliftment of backward classes.
Chittor Vijay is a 1947 Hindi language film directed by Mohan Sinha, featuring Raj Kapoor and Madhubala in the lead roles.
Valmiki is a movie directed by Bhalji Pendharkar featuring Shanta Apte, Prithviraj Kapoor.
A rumour about an unassuming housewife threatens to disrupt her middle-class family's life on the eve of her son's engagement.
A drama set amid an earthquake in Bihar. Miss Renee (Khote) looks after the victims while her lover, the businessman Sardar (Mohanned), wants to make money from the disaster.