And urban planner's journey to making the impossible possible.
Herself
Herself
In the depth of a dry valley, there are two boys named Yu-bin and Geon, who are each other’s one and only friends. The dry stream serves as the best hideout and playground for them, but nobody seems to understand.
Névine, a secondary school monitor, is fully committed to her somewhat thankless day job, dealing with teachers, administration and students. Logan, a pupil she is found of insists on getting a cap back from lost and found. She has no idea of the consequences of her gesture.
Two deadbeat photocopier technicians discuss their recently deceased boss, who has been found dead the morning of. The conversation turns sour and some sinister and bizarre truths are revealed.
A snowboarder, whose career was interrupted by an injury, meets a determined pianist who inspires him to pursue his Olympic dreams.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
New York comedian Alvy Singer falls in love with the ditsy Annie Hall.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
While on a seemingly routine delivery run for the Brigadier, Benton finds himself close to his childhood home, where ghosts from his past have never rested easily… Trapped in a nightmare world where past and present are one, will he be lost forever or can he fight his way back to reality, where he is desperately needed?
A journey through the golden age of Spanish rugby, from the late eighties to the early nineties: the incredible story of men who, with hard work, effort and perseverance, proved that any goal can be achieved.
The extraordinary story of how Jürgen Klopp became the savior of Liverpool Football Club and one of the most admired football managers in the world.
Experimental university short film about the dreams of the character Maria.
On the night of the opening of his new exhibit, a queer artist who has just gotten out of an abusive relationship makes a connection with another troubled soul.
Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.
Two boxers meet for a fight in a closed gym. With one boxer well prepared for the fight ahead the other tries making his own luck to better his opponent.