
A rapid fire montage, a dynamic juxtaposition of the world’s vital and destructive forces, the title originating from a Chinese text which refers to the Third Eye. Close up shots of the various faces open and close the film, the very last shot holding on the innocent face of a young child. Preserved by the Academy Film Archive in 2014.

A rapid fire montage, a dynamic juxtaposition of the world’s vital and destructive forces, the title originating from a Chinese text which refers to the Third Eye. Close up shots of the various faces open and close the film, the very last shot holding on the innocent face of a young child. Preserved by the Academy Film Archive in 2014.
1968-01-01
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0.0Short film made up of various clips showcasing the Cinecolor process, including a visit to a Marx Brothers film set. Preserved by the Academy Film Archive in partnership with The Film Foundation.
7.4Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.
6.9While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido's half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.
2.0Animated short film. Preserved by the Academy Film Archive in 2009.
7.5"Patton" tells the tale of General George S. Patton, famous tank commander of World War II. The film begins with Patton's career in North Africa and progresses through the invasion of Germany and the fall of the Third Reich. Side plots also speak of Patton's numerous faults such his temper and habit towards insubordination.
5.9This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
6.6The film is part of Eye Filmmuseum’s Mutoscope and Biograph Collection. This collection consists of about 200 films preserved on their original 68 mm format. The digital file provided is scanned in 2022 at Eye Collection Center, from the 35 mm duplicate negative that was made in 1998. After the first analogue preservation round made 25 years ago, Eye is now undertaking the digital restoration of the Mutoscope & Biograph Collection. “Mardi Gras Carnival” became the focus of attention, thanks to its inclusion within ‘The Artistry of REX’ exhibition, that opened in the summer of 2022 at the Louisiana State Museum.
6.0Short film about nurse service in wartime. Preserved by the Academy Film Archive in 2013.
6.8After being discredited as a coward, a 19th century seaman lives for only one purpose: to redeem himself. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 2000.
7.6Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
7.0One of Les Blank's industrial films, which follows a Holly Farms "broiler" chicken from factory incubation to the county fair barbecue pit. A hilarious, disturbing and surreal look at a large-scale chicken farm producing 156 million chickens a year! Film includes lots of chicken songs and music recorded live in the Blue Ridge Mountains of North Carolina. Preserved by the Academy Film Archive in 2013.
0.0Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
0.0Mr. Wilson hires Mantan to travel out West and clean out an old property. Mantan runs into trouble in believing the house is haunted while a gang uses it as a hideout. A race film Western produced by the Toddy Company; made for $500 over two days. Restoration by the Academy Film Archive and Blackhawk Films with funding from the estate of David Shepard from the only surviving 35mm nitrate print donated by Giancarlo Esposito and Laurence Fishburne.
7.1Thomas Becket, Henry II's longtime advisor, finds his friendship with the debauched king corroding when he is unwillingly appointed as Archbishop of Canterbury in an attempt to gain absolute loyalty from the Church.
6.0Possibly the most lucid, vivid, and awesome demonstration of the building up of still images to create moving ones, Pasadena Freeway Stills simply, gracefully and powerfully shows us the process by which we are fooled by the movies. By doing so, Gary Beydler mines a very rich vein of associations and metaphor, without the slightest ostentation. Constructed as a thrilling arc of realization and, in a quite moving way, disappointment, the film is a beautiful articulation of our emotional entanglement with moving images, while simultaneously creating a form in which the illusion of cinema is brought into incredible relief as the film we're watching gradually catches up to the film Gary is holding up to the camera with his hands, one frame at a time. (Mark Toscano) Preserved by the Academy Film Archive in 2008.
0.0"Beydler's magical Hand Held Day is his most unabashedly beautiful film, but it's no less complex than his other works. The filming approach is simple, yet incredibly rich with possibilities, as Beydler collapses the time and space of a full day in the Arizona desert via time-lapse photography and a carefully hand-held mirror reflecting the view behind his camera. Over the course of two Kodachrome camera rolls, we simultaneously witness eastward and westward views of the surrounding landscape as the skies, shadows, colors, and light change dramatically. Beydler's hand, holding the mirror carefully in front of the camera, quivers and vibrates, suggesting the relatively miniscule scale of humanity in the face of a monumental landscape and its dramatic transformations." -Mark Toscano. Preserved by the Academy Film Archive in 2010.
4.6The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999.
0.0In three virtuosic sequences created entirely in-camera, Benning alternates contrary camera movements in a trio of Chicago locations with increasing rapidity to a point where they first fracture and then merge in the viewer’s eye. Preserved by the Academy Film Archive in partnership with Austrian Film Museum in 2013.
0.0This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.
0.0This is a hand-painted step-printed film which begins with slow dissolves of what appear to be decaying leaves, crumpled browns and golds and oranges which assume qualities of earth and rock shot-through with flashes of crystalline prism colors and jagged scratch marks amidst glows of multiple coloration with increasing blues, varieties of tones of blue, from turquoise to near-purple - these variations of tone (and shape, as well) gradually convey, given the comparatively few appearances of blue, a formal domination over all other tones (and attendant shapes) of the spectrum of the film. Preserved by the Academy Film Archive in 2016.