In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.
In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.
2016-11-13
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On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.
Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.
Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.
Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.
The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.
Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.
The last true rebellion is death to the world. To be crucified to the world and the world to us.
A documentary re-enactment of the last few hundred years in Serbian history.
Montenegro is the newest European country with a proud history, one that is being falsified for current political purposes, thus creating an alternative identity. In a nation where it possible for two brothers to claim different ethnic backgrounds despite having the same parents, everything is on the table: language, church, democracy. Can the truth set Montenegro free?
The "Good News" is a film dedicated to one of the main holidays of Orthodox Christians: the Annunciation of the Most Holy Theotokos. The main idea of this holiday is the beginning of the liberation of the human race from sins and eternal death, the joyful news about the upcoming birth of Jesus Christ. The film shows how people living in the remote Russian village are preparing for the Annunciation, marking the turning point of winter and the beginning of field work. Everyday details of the parish community life help to feel Russian Orthodox customs that have been formed for centuries.
By the end of 1915, during the second half of World War I, which had started by the Austro-Hungarian Empire's attack on a small Kingdom of Serbia, Serbian people, its army, and the state found themselves in the greatest tribulation in its long history. Serbia is attacked by the combined militaries of Austro-Hungarian Empire, Germany, and Bulgaria. Defending every road, every hill, every creek, during the time when every village, every plato, every crossing was becoming a historical landmark, Serbia, relying on the Allies, moved its people, its government, and its remaining troops to Kosovo--the only unoccupied part of the Serbian territory, but soon had to cross Albania in the hopes of reaching the Allies' ships in the Mediteranian.
This is a documentary about a renowned precentor and a church composer Irina Denissova who suddenly becomes a nun in the apex of her career. At the same time, this is a film about God's love towards man. It seemed that a tragedy had occurred: a family of two prominent musicians was ruined, and Irina was abandoned by her husband while struggling with a serious disease of her son.
A journey into the wedding night, where an ultra-Orthodox Jewish couple gets to know each other for the first time.
The film follows a famous model and stylist Maja Atanasijević in her lonely, but intense struggle to bring back forgotten values of a city.
This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.
Emir Kusturica views himself as a rock musician and believes that he became a world-famous filmmaker by pure chance, as he shoots his movies only in between concert tours with the “No Smoking Orchestra” band. At these little pinpoints of time he gets “Palms d’Or” at Cannes, “Golden Lions” in Venice, builds his own villages, a power plant and a piste and regrets not becoming a professional football player. Kusturica’s own living is very much similar to his movies, where shoes are polished with cats, death is treated like a story from tabloid press, and life is a miracle...
In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.
The Patriarchate of Moscow and the POKROB Film Studio deliver to global Orthodoxy a documentary with a total duration of five hours on the holy life and work of Saint Paisios of Mount Athos.
"The Moscow Pilgrims" is a film that takes you on a tour of Russia’s ancient capital. The film’s main characters – father and son – are doing the most intersting sights of old Moscow, including the Simonov Monastery, the New Spassky Cloister and the Krutitsky Church located on a picturesque bank of the Moskva River. The celibate priest Ilia, the dean of the church of the Holy Mother of God father Vladimir and other priests will help the pilgrims and visitors to see the world of Moscow’s ancient holy sites: the burial-vault of the noble Romanov family, the Cathedral of the Transfiguration of God recently cleared from security services, and the graves of the Kulikovo battle heroes, the monks Oslyabi and Peresvet.