No Word For Worry(2014)

Incident at Restigouche(fr)

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

nîpawistamâsowin : We Will Stand Up(en)

On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.

On Hold(es)

Between the city and the countryside, the subtle and modern forms of slavery unfold. A girl waits for the pick-up truck that will transport her to the city. Once there, amidst a never-ending row of walls and fences, she peeks into the entrance to a school. Lined up and in uniform, those girls are not the ones Carmen will join.

Los pueblos dormidos (por la Quebrada de Humahuaca)(es)

Documentary about the kolla people living in North Western Argentina.

Mi'kmaq Family (Migmaoei Otjiosog)(en)

This documentary takes you on a reflective journey into the extended family of Nova Scotia’s Mi'kmaq community. Revisiting her own roots, Mi'kmaq filmmaker and mother Catherine Anne Martin explores how the community is recovering its First Nations values, particularly through the teachings of elders and a collective approach to children-rearing. Mi'kmaq Family is an inspiring resource for both Indigenous and non-Indigenous audiences who are looking for ways to strengthen and explore their own families and traditions. We hear the Mi'kmaq language spoken and a lullaby is sung by a Mi'kmaq grandmother featured in the film.

Forever in Our Hearts: Memories of the Hebron Relocation(en)

In 1999, Innu community members who, 40 years previously, had been forcibly relocated from their remote northern region of Labrador to established settlements in the province, return to Hebron to reminisce and reckon with the destructive impact the relocation had on their traditional ways of life and Indigenous identity. This film serves as a companion piece to Carol Brice Bennett’s book "IkKaumajannik Piusivinnik – Reconciling With Memories," and stands as the only known audio-visual document of the reunion of a resettled community in Newfoundland & Labrador.

Ãjãí: o jogo de cabeça dos Myky e Manoki(pt)

Ãjãí is a fun game in which only the players' heads can touch the ball. This practice, shared by few indigenous peoples in the world, is present among the Myky and Manoki populations of Mato Grosso, who speak a language of an isolated linguistic family. of the villages. But to organize this great party, your young bosses will face some challenges ahead.

Cold Journey(en)

In this feature drama, a Canadian Indigenous youth attempts to find a place for himself. He faces culture shock as the educational system teaches him to be a white man and tries to find a way of life more meaningful to his Indigenous culture and ancestry.

Atikamekw Suns(cr)

Manawan, 1977. A vehicle falls into a river near a Native community. Two Quebecers managed to escape, but five Atikamekws lost their lives. While the police conclude that it was an accident, the victims’ families are left with unanswered questions. A historical, poetic and choral tale, Soleils Atikamekw is inspired by the dreams, impressions and memories of the relatives of the five victims. In an intimate, humanistic approach, the filmmaker involves the families both in front of and behind the camera. Documentary and fiction come together in a deeply moving film about grief, injustice and memory.

Rio Uruçumirim(pt)

Rescue bridge of the Tupinambá de Uruçumirim village, headquarters of the Tamoia Confederation until 1567, when it was destroyed in a genocidal operation, commanded by Portuguese led by Estácio de Sá, with the support of the Jesuits Manuel da Nóbrega and Anchieta, here founding the city of Rio de January. Testimony and contemporary point of view from Pajé Sapaim Kamayurá.

Documentário Brasil Tupinambá(pt)

Ñande Guarani (Nós Guarani)(pt)

Where do I Belong(fr)

In a continuation of her first film We Are Not Speaking the Same Language, Danika explains what it feels like to be displaced Indigenous urban.

Ngā Tamatoa: 40 Years On(en)

Actor Rawiri Paratene was 16 years old when he joined Māori activist group Ngā Tamatoa (Young Warriors) in the early 1970s. "Those years helped shape the rest of my life," says Paratene in this 2012 Māori TV documentary, directed by Kim Webby. The programme is richly woven with news archive from the 1970s, showing protests about land rights and the Treaty of Waitangi, and a campaign for te reo to be taught in schools. Several ex Ngā Tamatoa members — including Hone Harawira, Tame Iti and Larry Parr— are interviewed by Paratene, who also presents the documentary.

Little Foxes(es)

Noemí, an Ayuukjä'äy woman reflects on the loss of her native tongue with a voice that blends into day to day life in Cerro Costoche community located in the Mixe mountain rage of Oaxaca.

Through the Repellent Fence: A Land Art Film(en)

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

Nukum (grand-mère)(fr)

Innu Nikamu (festival de musique autochtone)(cr)

Innucadie (festival du conte et de la légende de Natashquan, 1er édition)(cr)

Rapa Nui(en)

Inter-tribal rivalry leads to a competition to erect a huge statue (moai) in record time before Make can take part in the race to retrieve the egg of a Sooty Tern. The reward for winning this race is to rule the island for one year.