This first entry in the "Believe It Or Not" series of shorts visits northern Africa. Included are a look at the Tuareg people of the Sahara Desert, a waterfall whose under-surface builds up because of lime deposits, a clock that strikes 13, and the Tree of Abraham, estimated to be 3500 years old. Vitaphone No. 1282.
This first entry in the "Believe It Or Not" series of shorts visits northern Africa. Included are a look at the Tuareg people of the Sahara Desert, a waterfall whose under-surface builds up because of lime deposits, a clock that strikes 13, and the Tree of Abraham, estimated to be 3500 years old. Vitaphone No. 1282.
1931-09-26
6
Prudence Penny and Gwen Lee give more cooking tips in Technicolor
After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.
A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.
A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.
Camille is a composer going back to his homeland Lebanon to write a song about his country. Raya is looking for her lost son. They meet, fall in love, and discover the despair of the people of war-torn Lebanon.
A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.
Larry Guthrie, who loses his first love to the town hot shot, decides to win her back by volunteering with the children at her after-school program. When Larry accidentally tells the kids the Tooth Fairy is make-believe, he soon is transformed into a tutu-clad fairy with the "sentence" of collecting teeth.
Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.
A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.
When eight male cadets are left behind at an isolated military high school, the greatest romantic drama ever written seeps out of the classroom and permeates their lives.
Liverpool, 1978: What starts as a vibrant affair between a legendary femme-fatale, the eccentric Academy Award-winning actress Gloria Grahame, and her young lover, British actor Peter Turner, quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
A hard-as-nails nun must take on a rogue agent to protect a child in her care who harbours a special gift. When she is left for dead and her chapel is destroyed, she is given a second chance at life, fighting back in a brutal pursuit for revenge, doing everything in her power to save the chosen girl from a fate worse than death.
When the British army looks set to defeat Mussolini’s Italian forces, Hitler sends reinforcements; the Afrika Korps led by General Rommel. The Desert Fox is on winning form until Montgomery, the British commander, sets up a plan to crush his opponent. After the American landing in North Africa, the Axis armies have no choice but to surrender and put an end to the Desert War.
Raï Story is a musical journey in search of the Raï legend, Cheikha Remitti, in Oran, Algeria, where the Raï musical tradition began. In 1923, the first Raï singers performed behind screens during ceremonies to protect their identity. It was only when the music of singer Cheikha Remitti began to gain popularity among the general public that Raï music was made public, in the 1940s. Cheikha Remitti, who lives between Paris and Oran, is nowhere to be found, the filmmakers then decide to meet producers, musicians, singers like Cheba Dalila or Cheba Djenet, for whom Remitti created a wake. The opportunity, through these unique stories, illustrated with archive images, to retrace the important place of women in this musical tradition and the transformation of Raï music from the 1960s to 2000.
This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .
Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.
In the 1980s, Algeria experienced a tumultuous social context which reached its peak during the riots of October 88. This wave of protest, with youth as its figurehead, echoed the texts of raï singers. Thirst for freedom, misery of life and the aspirations of youth are among the main themes of their works which will inspire an entire generation. More than music, raï celebrates the Arabic language and becomes a vector of Algerian culture, thus providing the cultural weapons of emerging Algerian nationalism With Cheb Khaled, Cheb Mami and Chaba Fadela as leaders of the movement, raï is also a way of telling and reflecting the essence of Algeria in these difficult times. While the threat weighs on artists in Algeria, their exile allows raï to be exported internationally and thus, to bring the colors of Algeria to life throughout the world.
Nabila Djahnine, president of the feminist association Thirghri N'tmetout, died in hands of an armed group in Tizi Ouzou (Algeria) in 1995. The Islamists forced women, on pain of death, to wear the hijab or stop working. It was the first time a feminist woman paid with her life. Nabila wrote a letter to her sister Habiba in 1994. This documentary is her answer. In 2006 Habiba comes back to the place to restore her sister’s memory, her point of view, the day of her death and the political moment Algeria was going through at that time.
Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.
Documentary dialogue with young women in Algiers on their experience of independence shortly after their country's independence.
Composed of three parts, this montage film addresses all aspects relating to the role of women in Algerian society: their ambitions, the role of the State and the help of organizations that were created during the struggle for female emancipation. .
In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.
A warm, attentive chronicle of everyday life in a small Algerian town, with the backdrop of the inhabitants' development and beautification of one of the neighborhoods. We meet an amateur mechanic, a retired man from France, a doctor, old women and young men. Everyone plays... in front of the camera of one of the youngsters. Even when the riots in Kabylia disrupt the course of daily life in the Cité des Martyrs.
The film, shot in 1938, is part of a series entitled “The true face of Algeria”. The film highlights the proximity of Algiers to Paris and promotes air travel. The commentary supporting the images highlights the urban dynamism (“Every day, a new skyscraper replaces a wasteland”) and the comparison with Paris (“Algiers is often nicknamed the Paris of North Africa because of its elegance become proverbial). Contemporary architectural achievements are described as the sign of “grandiose modernism”: “we love the new, the bold”. But the point does not forget the buildings illustrating “the Moorish, classic and attractive style”. The description of the Casbah also attempts to understand the architectural organization but also the diversity and even the atmosphere.
He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.
Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).
In Algeria, pottery is different from one region to another, the result of the various influences it has undergone throughout history. If the manufacturing steps are substantially the same, the result is far from identical. In Kabylia, for example, the pottery, decorated with patterns, is red in color. In the south of Adrar, there are objects with rather original shapes and black in color. The pottery of the Nementcha Mountains is fashioned in clay with pink tones and decorated with brown designs. Originally, objects were made in families and exchanged between neighbours...