Journey across Morocco, Spain, Mexico, Argentina, Patagonia, Texas and British Columbia, to meet vaqueros, gauchos, baqueanos and cowboys - all part of a single global horse culture, an unbroken trail stretching back 1,500 years.
Thanks to recent archaeological discoveries, this docudrama movie association and documentary footage to rediscover the "true face" of the Gaulle. On comments from Clovis Cornillac. In 52 BC, the fortress of Alesia, Apator, a Gallic leader, is exhausted after forty days of siege. His armies prepare to load against the Roman legions who circled.
Napoleon III, the Commune, the third Republic in the background. In the foreground, two pretty, talented sisters, Virginie and Pauline Cardinal. They are ballerinas at the Opera de Paris and very much courted by wealthy, elegant men. They will manage to climb in the society of their time, despite parents set on respectability but also attracted by money.
Video from this show was featured on Episode 12 of ‘Dinner And A Movie - An Archival Video Series.’ SET 1: Theme From the Bottom > Poor Heart, AC/DC Bag > Tela, Punch You in the Eye, Reba, Strange Design, Rift > Cavern > Run Like an Antelope SET 2: Simple > David Bowie, The Mango Song, Loving Cup, Sparkle > You Enjoy Myself, Acoustic Army, Possum ENCORE: A Day in the Life Trey teased Call to the Post in Reba and Mind Left Body Jam in Bowie.
Based on the true events during the 2016 construction of the Dakota Access Pipeline that runs through the Standing Rock Indian Reservation in North Dakota on land that is owned by the Lakota “Sioux” Tribe. The film follows Daniel, a journalist and Afghanistan War military veteran, and Elliot, an oil company executive, who find themselves on opposite sides of the fight during the construction of the contentious pipeline.
The female protagonist finally makes it to get a job as an intern. But after a while working at this weird company, she finds out the criminal site of it and learns to be a criminal herself.
The struggle of a teenage boy to assert himself amid the frenetic activity of a large family.
Dan, aged 19, leaves his home after a quarrel with his father. At the side of the country road he meets a traveling theater company who has run out of money. He falls in love with the young actress Pia and together they leave, meeting a string of peculiar characters: a vagabond, a friendly vicar and a cynical adventurer.
Federico and Olivia are editing their first short films, which encountered mistakes during shooting. Both discover that they filmed at the same location and accidentally interfered in each other’s films. Together, they find a way to edit their two shorts into one.
Authorities close down a restaurant after a violent crime is committed on the premises; the employees look for new jobs and try to track down the murderer.
Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.
"The Frog Prince" was one of several adaptations of Brothers Grimm fairytales that Lotte Reiniger made in London between 1953 and 1955: others include "The Gallant Little Tailor", "Hänsel and Gretel", "Sleeping Beauty", "Snow White and Rose Red" and "The Three Wishes".
After the creation of QwC in March 2020, Christian is living his best life. That is until a new threat arrives that could wipe out his entire show; himself.
Four boys, friends and cousins, in between adolescence and adulthood, make the most of their holidays. Followers of Renoir, with pure simplicity and casualness, emancipated from the ponderousness of a script, these four boys involve us in the nonchalance of their idleness, and in their free-flowing futility. In the course of some idle-talk, of a carefree swim in the river of time, or the vacuity of a summer evening, the memory of communist past resurfaces.
Lives, emotions, mysteries and personal conflicts of several people cross in a world forever changed by an amazing scientific discovery: the localization of the soul, the birth of an engineering of the spirit, the conceptual death of God.
Mirai Mizue continues his experimentation with music and movement in his latest "cell animation," Tatamp. Not to be confused with the animation technique of "cel animation," Mizue’s unique style of "cell animation" is hand-drawn and colored on paper then scanned onto the computer for editing. The name refers to the fact that the creatures that he draws resemble amoeba and other minute organic creatures one might find under the lens of a microscope.
When Seattle magazine writer Samantha Hart is sent home to write an article about the wedding destination of Hawthorne Vineyards, she discovers the ex who broke her heart not only runs the vineyard, but he’s about to get married there.
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
Titans of the Ice Age transports viewers to the beautiful and otherworldly frozen landscapes of North America, Europe and Asia ten thousand years before modern civilization. Dazzling computer-generated imagery brings this mysterious era to life - from saber-toothed cats and giant sloths to the iconic mammoths, giants both feared and hunted by prehistoric humans.
This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.
16-year-old Yuguo, who has a passion for Eastern European romantic poetry, makes a pilgrimage from his home in China to the foothills of Romania’s Carpathian Mountains.
Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.
This expository film shows the mood of European society on the eve of the Second World War while promoting the values of international cooperation. Using the Swiss office of the BBC as an example, the film describes the functioning of radio and presents the possibilities opened by mass communications. After the advent of sound film, Cavalcanti promoted experimentation with sound, and in this connection he was interested in the communicational, organizational, and social aspects of radio.
In 1992, at the height of the AIDS pandemic, activist Terence Alan Smith made a historic bid for president of the United States as his drag queen persona Joan Jett Blakk. Today, Smith reflects back on his seminal civil rights campaign and its place in American history.
Scratches. Cross-outs. Stripes. Arnaud is tirelessly attacking ancient masters' painting reproductions with the tip of his pen. His free and living interlaces highlight shapes and figures.
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
Not so long ago there were monumental movie theaters in the streets and avenues of Madrid, the capital of Spain, authentic cathedrals erected during the golden age of film exhibition, now converted into 3D dinosaurs, whose remains speak of the past and somehow anticipate the future.
Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.