The Green March is a film where the destinies of a handful of men and women intertwine, all united by the common goal of peacefully fighting for the freedom of a colonized territory, driven by the same dream: to contribute to the construction of modern Morocco. It is also the story of Zhor, who risked her life 40 years ago to bring her child into the world on the land of occupied Moroccan Sahara.
Military doctor
Zhor
Penelope
At the beginning of the 20th century an American woman is abducted in Morocco by Berbers, and the attempts to free her range from diplomatic pressure to military intervention.
Just after World War I, Major Foster is incorporating new recruits into his French Foreign Legion platoon when he is sent to his former remote outpost located in the French Morocco to protect an archaeological excavation from El Krim, a Rifian leader who intends to unite all local tribes to fight the colonial government…
An intimate portrait of Matthew Shepard, the gay young man murdered in one of the most notorious hate crimes in U.S. history. Framed through a personal lens, it's the story of loss, love, and courage in the face of unspeakable tragedy.
Alain Lefevre is a boxer paid by a Marseille mobster to take a dive. When he wins the fight he attempts to flee to America with the mobster's girlfriend Katrina. This plan fails and he seeks escape by joining the foreign legion. As part of the legion he tangles with abusive lieutenant Steinkampf and bonds with legionnaires Luther, Mackintosh and Rosetti.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
A couple vacationing in Morocco with their young son accidentally stumble upon an assassination plot. When the child is kidnapped to ensure their silence, they have to take matters into their own hands to save him.
The routines of two women fuse together as their similar gestures get repeated over time. Their hands intersect through their shared memory one movement at a time. The daily routine of Hayat in her absolute loneliness builds as she tries to recollect memories of her grandmother. We observe both their lives separately, the gestures of both women seem to be in an ongoing, subtle dialogue. The rhythm of the events slowly forms itself as their days go by. Eventually, the bond between them unravels the motherly love that unites them.
When the junior ice hockey team from the small town of Náchod, in the Czech Republic, sets off in a bus to Morocco to play the away game in an exchange programme, the players and their coach expect an easy victory and a cultural shock: “bring ear plugs”, the coach suggests them with a touch of undisguised condescendence, so as not to hear the call to prayer early in the morning. Both on and off the ice, Rozálie Kohoutová and Tomáš Bojar’s camera focuses on a few teenagers and their exchanges, simultaneously funny and cruel, in a clumsy English.
In love with Brazil and Maria, a soap opera heroin harassed by a corrupt contractor, Abdelinho suffers parallel ordeal in Morocco by pressure of Amr Taleb, a dogmatic, moralistic priest, enforcing religious purity on the community
Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.
In Casablanca, Ali, Hmida, Mbarek and Messoud are four unemployed youths who spend their time dreaming of a better life in the Netherlands. One day, Hmida falls on a specialist of illegal immigration, Ouchen. The four friends manage to collect enough money only for the departure of one of them, Hmida. Several months later, it still has not given any sign of life. Ali, Mbarek and Messoud discovering that he is not in Holland but in Afghanistan, they decide to go looking for him on the road to Kabul.
Mogador, Morocco. Late 1920s. A complex romance develops between a womanizing Legionnaire and a disillusioned Parisian cabaret singer.
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Charles Jackson, an American sea-captain and singing soldier-of-fortune, is arrested by the French Foreign Legion for running guns to the rebel forces in Morocco fighting against the rule of the French in north Africa. He is saved by Lili La Fleur, a singer/dance in a Morocco café and, through her, eventually becomes a hero to the Foreign Legion.
Saad is a young Moroccan illegal immigrant who, together with his Iranian boyfriend Reza, attempts the perilous journey to America. As soon as they arrive in Montreal, Saad is called upon to save his lover from certain deportation to Iran, where a likely death awaits him. In a desperate ploy, Saad manages to seduce a Canadian immigration official. This impromptu romance brings him close to the comfortable America he idealized on the beaches of Tangier and undermines his heroic mission.
A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
Set in the mid-1950s when Tangier was still an international zone, El Chergui presents the city on the eve of its independence, as Aïcha resorts to magical practices to try to prevent her husband from taking a second wife. Around her, a society of women creates its own form of active resistance even as the larger independence movement grows around it. Through his unique use of montage, Smihi creates arresting images that present a society torn by the contradictions of colonialism, religion, patriarchy, and resistance. (Block Cinema)