Experimental film.
Experimental film.
1967-01-01
0
Henry Howard discovers a way to stay young forever, but life doesn't seem worth living without his childhood sweetheart Alice. Risking old age, Henry returns to convince her to join him.
Dolly, a 67-year-old cleaning woman, gets mad at the Coop Supermarket. She thinks they're only pretending to be environmental because they still shrink-wrap their vegetables in plastic. She calls Coop and gets put through to Majken. Meeting Majken changes Dolly's life. You can't shut people down forever.
An amateur artist sketching in a churchyard has a series of encounters with a young woman, who we might come to believe is a ghost. In fact, the truth is stranger than that.
A couple receives a mysterious package from an old friend.
Great Britain voted to leave the EU. While euphoria and disappointment are mixed among the population, William decides to go to visit his parent discovering that love could be hidden in unexpected choices.
Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.
A short experimental dance film about the use of the body as an instrument of temporal expression, focusing on how our memories are held and revealed in our movement.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
On her 15th birthday, a young girl learns to navigate the complexities of budding adolescent romance with the guidance of her two best friends.
Pete Smith tells the story of 'Sparky', a German shepherd dog trained to lead his blind master, a country doctor who lost his sight in a fire, and now has to depend upon the dog to lead him in his daily rounds. 'Sparky" was the dog who was responsible for the Interstate Commerce Commission passing a special ruling allowing guide-dogs to travel first-class in Pullman cars to accompany their blind partner, and not as animals confined to the baggage car. Smith shows how 'Sparky' went to Washington D. C. with his master and helped sell the change to the legislators.
Mikaela has undergone gender reassignment and is now a woman. One night at a bar, she meets a guy and takes him back to her place.
Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.
A family from an Israeli kibbutz takes their ailing patriarch for a ride on a lazy Sunday in this warm and moving snapshot of their encounter with the ephemerality of the natural world.