Misaki’s husband Ken’ichi dies in a car accident soon after their marriage. As the first anniversary of his death nears, Misaki is still in mourning for Ken’ichi. Ken’ichi had managed the Sunrise Villa apartments, which his parents have managed after his death. A psychic claims to have received word from Ken’ichi’s spirit that he wants the apartments to be kept running responsibly. Misaki, believing the psychic, takes charge of the apartments, working as the landlady, performing repairs, and responding to the demands of the tenants… However wierd they are…
Seiko Domyouji
Eri Kamoshida
Rumi Onodera
Yosuke Kubota
Misaki’s husband Ken’ichi dies in a car accident soon after their marriage. As the first anniversary of his death nears, Misaki is still in mourning for Ken’ichi. Ken’ichi had managed the Sunrise Villa apartments, which his parents have managed after his death. A psychic claims to have received word from Ken’ichi’s spirit that he wants the apartments to be kept running responsibly. Misaki, believing the psychic, takes charge of the apartments, working as the landlady, performing repairs, and responding to the demands of the tenants… However wierd they are…
2007-02-02
5.3
In this first installment of the series - we are introduced to Keisuke: mild mannered school-teacher by day - avenging angel of rape by night - and his goofy Uncle, who together run Rapeman Services. Their "services" are called-upon by a nightclub owner who tells a sob story about having her boyfriend, a current political candidate, stolen by his secretary, and asks Rapeman to "take care of her" as an act of revenge. This is done per the nightclub owner's request - but we soon find that the story was just a cover to cause a bigger scandal that involves rival a seedy rival politician and the Yakuza...
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.
"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.
A shy high schooler in Kyoto meets a man claiming to be his future self, who tells him he’s hacked into the past to save their first love.
A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.
A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.
When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
A woman who desperately wants a baby asks a girl who is considering abortion to give her the baby instead. The two arrive at an isolated vacation home to spend time in seclusion until the girl gives birth to a baby, but they unexpectedly encounter a mysterious young painter and some criminal hunters.
A man becomes lured into a fictional game his ex-girlfriend has initiated. Sexually ensnared by her, and now realizing the fragility of the border between the real and the imagined, he begins to unravel. He convinces himself that if he can only write an ending to his life story, he can regain control of his life. But playing with fiction is not an innocent game…
Two girls clean places after somebody dies there. Sometimes they sell the belongings of the dead at a flea market. When they meet an odd guy who has a passion for boxes, a strange game unfolds. An unconventional love story about the oddity of ordinary things. Eccentric and natural at once.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
A woman named Kit moves back to her parent's house, where she receives a mysterious invitation that would fulfill her childhood dreams.
1930s, in the highlands of Jalisco. Emilia, a teenager, silently lives her sexual awakening with her adopted siblings, Caro and Martín. In search of her freedom, she flees into the bush where she poses as a young muleteer to survive among the living and the dying, among guards and deserters, unaware that Martín is stalking her. Emilia's path will lead her back to the ranch to defy her destiny and escape with Caro.
Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife
Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.
An eight-year-old girl is fascinated by the exquisite corpse of a young woman she finds in the woods.
From a window of a mansion overlooking the sea a woman, her master and a dominatrix hungrily eye a lone woman walking along on the beach below. With a whip and a manservant the dominatrix goes out to collect the new “slave” for the pleasure of all.
An African American woman living away from her family in Los Angeles yearns to be recognized for more than her physical attributes. In cultivating the friendship of a male office mate, she aspires to a relationship where romance is not a factor, seeking someone who can "see her as she is," rather than see only what he wants to see. (UCLA Film & Television Archive)
By chance, Ramiro witnesses the suicide of a beautiful young woman called Angela. She left her backpack with her artwork and an enigmatic recording message. Ramiro tries to contact Angela's family, but when he goes to her house, he sees her coming out the door alive.
EKAJ is a love story between two drifters, a naive teenager and a hustler. Ekaj meets Mecca who takes him under his care. Mecca has AIDS and multiple problems of his own. He is high all day but still manages to be the only voice of reason in Ekaj’s hopeless world. They cruise the city together looking for money and places to stay. Although Ekaj makes some money as a prostitute, he finds himself discarded, and lacking what it takes to survive in the city. Their mutual loneliness leads to genuine friendship.
An experimental film looking at how a housewife struggles with the demands placed on her as a wife, mother, career-woman.
Twenty-year-old Maria is a troubled and lonely girl who falls in love with the grounded and patient Adam. He is the first boyfriend to treat her nicely, but Maria struggles with her past and the relationship with her dad, who left her when she was very young. When her dad reappears it makes Maria vulnerable to the fear of being rejected once again.
When Narcing brings home his wife Puring to their hometown Mulawin in the 1930s, it sets off a series of events that include parricide, infidelity, betrayal, guilt and redemption.
All that Maddy Hawkins has ever wanted was a family she could call her own. Even in 1959, the simplest things are difficult to find...Maddy, a street-wise teenage runaway, believes she has created this family with the women who live with her in an East Coast woman-only rooming house: Lulu, an eccentric silent-screen star; Claire, a beautiful, widowed French war bride; and Mary, a young artist.But as Maddy watches her newfound family fall apart, she begins to realize that some things in life are worth fighting for, and that the bonds of true friendship are the strongest bonds of all.
Alma lives a humble and secluded life behind the walls of a contemporary Catholic convent in Denmark. As she prepares for her perpetual vows as a nun, her older brother Erik unexpectedly shows up. He is a recovering alcoholic and clearly depressed, yet Alma struggles to show him mercy, as his presence unearths a family secret she has desperately tried to suppress. With the ceremony impending, Alma begins to lose her footing and doubt whether she is worthy of the love of her God.
Billy falls madly in love with Nilo, but discovers that her great love is polyamorous. Explosions in the heart studies the turbulent and impossible romantic relationship between two young women where one is polyamorous, and finding one’s own autonomy and power independently of others.
After World War II, 4,000 Polish families came to Australia. They were Jews, Fascists, anti-Communists, and others dispossessed. In a large hostel, where even married men and women were housed in separate barracks, the adults lived for two years while they worked off the government's payment of their passage. Even though he is married to Anna and has a son, Julian falls in love with Nina and she with him. As they and others face the new situations and prejudices that await immigrants and as they take on aspects of Australian culture, old-country values reassert themselves. Julian decides what to do about love and family, and Nina must find a way to move on.