Whether a veil of the soul, the mind or the body; the layers of the veil in history and the many meanings behind it will be revealed. 'Women are either judged for wearing the hijab or not wearing it' (the hijab refers to the head covering). In 'The Tainted Veil,' the challenges surrounding these ideas are exposed in a debate by diverse guests and extraordinary stories.
Whether a veil of the soul, the mind or the body; the layers of the veil in history and the many meanings behind it will be revealed. 'Women are either judged for wearing the hijab or not wearing it' (the hijab refers to the head covering). In 'The Tainted Veil,' the challenges surrounding these ideas are exposed in a debate by diverse guests and extraordinary stories.
2015-12-17
0
Tells the story of Sadie and Bessie Delany, two African-American (they preferred "colored") sisters who both lived past the age of 100. They grew up on a North Carolina college campus, the daughters of the first African-American Episcopal bishop, who was born a slave, and a woman with an inter-racial background. With the support of each other and their family, they survived encounters with racism and sexism in their own different ways. Sadie quietly and sweetly broke barriers to become the first African-American home-ec teacher in New York City, while Bessie, with her own brand of outspokenness, became the second African-American dentist in New York City. At the ages of 103 and 101, they told their story to Amy Hill Hearth, a white New York Times reporter who published an article about them. The overwhelming response launched a bestselling book, a Broadway play, and this film.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
1930s, in the highlands of Jalisco. Emilia, a teenager, silently lives her sexual awakening with her adopted siblings, Caro and Martín. In search of her freedom, she flees into the bush where she poses as a young muleteer to survive among the living and the dying, among guards and deserters, unaware that Martín is stalking her. Emilia's path will lead her back to the ranch to defy her destiny and escape with Caro.
After World War II, 4,000 Polish families came to Australia. They were Jews, Fascists, anti-Communists, and others dispossessed. In a large hostel, where even married men and women were housed in separate barracks, the adults lived for two years while they worked off the government's payment of their passage. Even though he is married to Anna and has a son, Julian falls in love with Nina and she with him. As they and others face the new situations and prejudices that await immigrants and as they take on aspects of Australian culture, old-country values reassert themselves. Julian decides what to do about love and family, and Nina must find a way to move on.
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
Bring Us Your Women is an international anthology dedicated to women and the pursuit of divinity and freedom. The project seeks to tell existing and re-imagined stories of historic and mythical individuals, each presenting a message of humanity that transcends gender and religion.
In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.
Based on the journal of Knud Rasmussen's "Great Sled Journey" of 1922 across arctic Canada. The film is shot from the perspective of the Inuit, showing their traditional beliefs and lifestyle. It tells the story of the last great Inuit shaman and his beautiful and headstrong daughter; the shaman must decide whether to accept the Christian religion that is converting the Inuit across Greenland.
New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. This documentary uses extensive archival film, movie clips and personal recollections to construct an audiovisual history of the gay community before the Stonewall riots.
A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.
The film presents the last days of Gen. Sikorski, right before the Gibraltar catastrophe. The commander is accompanied by his daughter Zofia and a group of closest collaborators. They are all guests in the palace of the Governor of Gibraltar, Mason Macfarlane, who is supposed to persuade Sikorski to give back documents on the murder of Polish officers in Katyn. When Sikorski refuses, a plan of attempt on his life comes into action. Who stood behind it? Who executed it and how? Was Zofia on board of Liberator too?
Cousins Menahem Golan and Yoram Globus relive the creation, rise and fall of their independent film company, Cannon Films. This documentary recounts their many successes and discusses their eventual downfall.
In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.
A seventy-five-minute documentary featuring outtakes from "Chronicle of a Summer" (1961), along with new interviews with co-director Edgar Morin and some of the film’s participants.
I meet Herbert in the same week I get diagnosed with cancer. We fall madly in love and plan to stay together for the rest of our lives. Three months later, he is dead. Herbert was a BASE Jumper. Leaping off a cliff with nothing but a parachute, he loses his balance, slams into the rock face and falls to his death. His loss in the midst of my chemotherapy completely throws me. Why does he gamble his life away, while I fight for mine? Desperate for answers, I return to Lauterbrunnen, the scene of the accident where Andreas, his best friend and coach, introduces me to the world of BASE. The jumpers teach me not only about the sport, but about facing fears, harnessing and controlling them. To make the most of the life we get. In the Swiss Death Valley I slowly find my way back to life.
Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.
What do real estate tycoon Donald Trump and the Heinz Tomato Ketchup dynasty have in common? Their ancestors come from Kallstadt, a small, quiet winegrowing village in the German Palatinate region. This powerful entrepreneurial spirit must be part of the genetic make-up! Director Simone Wendel-also from Kallstadt-explores the issue in depth.
The film traces the life and times of Esther Eng, a San Francisco native known as Hong Kong’s first “directress.” She directed 10 Cantonese talkies.