The Last Word (Persian: حرف آخر) is a 2009 social drama Iranian film Written And Directed By Hossein Shahabi. This is a film about Iranian champion athletes.
Pourang
Ahmad
Amir
Hossein
Reza
Mohammad
Vahid
Hossein
The Last Word (Persian: حرف آخر) is a 2009 social drama Iranian film Written And Directed By Hossein Shahabi. This is a film about Iranian champion athletes.
2009-11-24
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The Photo (Persian: عکس) is a 2001 Iranian drama film Written and directed by Hossein Shahabi
Jimmy Aubrey plays a book agent and on his rounds of selling is induced to substitute for a local fistic star. His adventures in the prize ring furnish a great deal of comedy.
A team of armed Pakistani militants stage a terrorist attack at the Taj Mahal Palace Hotel in India.
Dan, aged 19, leaves his home after a quarrel with his father. At the side of the country road he meets a traveling theater company who has run out of money. He falls in love with the young actress Pia and together they leave, meeting a string of peculiar characters: a vagabond, a friendly vicar and a cynical adventurer.
Fabrizio, a poor thief from the Roman suburbs, finally has in his hands the man who ruined his life: James Bond.
A short documentary about the intricate nativity scenes of Michele Pascuzzi.
In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!
Affected tells the story of a small business owner that lost over 90% of his revenue after Covid-19 hit America. With frustration, he decided to embark on a journey to document the lives of all the others that have been impacted by Covid.
Actress and model Serena Motola joins former idol and current YouTuber Michela Sato, in a short film that depicts them as sisters who plan to kill their beloved father after he says he wants to remarry.
Joe Chan (Julian Cheung), an Pay-TV office manager, mourns the death of wife-to-be Winnie Tsang (Loletta Lee), while a spirit causes trouble for a pair of wrongdoers set on taking over the station. A not-so-literate taxi driver Shing Wai-lin (Simon Loui) visits a tarot reader after his girlfriend leaves him. The mystic warns him that he is set to meet a strange woman and he'll be in certain danger. In a dingy flat, housing nurse Mindy (Fennie Yuen) treats triad member Ton's (David Wong) latest wounds. Her Aunt Ha (Helen Law Lan), meanwhile, senses a dark force drawn to the flat's dark hallway.
The ever-disreputable Reggie Gussle, mistreating his caddy and generally making an ass of himself on the golf course, receives a well-deserved golf ball to the noggin, temporarily rendering him disoriented. The offending golfer, Ambrose, and his wife feel terrible about the erring ball; but if they knew what Gussle was capable of, they'd have left him lying on the green. Later, at his social club, Gussle gets thrown out of a card game for cheating. Ambrose, ignorant of the exiting Gussle's dishonesty, greets him warmly before joining the game himself. Gussle suddenly has an idea that will give him revenge on the card players and get rid of Ambrose so that Gussle can make his moves on his gullible friend's beautiful wife.
Leroy Lowe, grand dragon of the Texas Ku Klux Klan confronts everything he's been taught to hate when he's sentenced to three years of hard labor on a prison work farm, where Warden Merville, dead set on rehabilitating Leroy, chooses Emilio, a Hispanic field worker imprisoned for fighting for labor rights, to be his cell-mate. Leroy, confined in a small cell with the enemy, far from the KKK comrades who deserted him, finds the chatty Emilio slowly chipping away at his anger and prejudice. His weekly rehabilitation meetings with the warden, barely tolerable as the man drones on about farm labor and field crops, take on a different meaning when Madalena, a beautiful Mexican maid is hired to clean the warden's office. An unconventional love story develops that opens Leroy's eyes to the possibility of a different life. And a man who was a born and bred racist finds himself heading down a completely different path to salvation.
Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.
Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.
Sarah and Ayda are two close friends, one of whom was notorious and now they must work together to bring their conditions to normal, but they stand to where for their friendship?
The story of two youngster girls who became the victims of female genital mutilation.
THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
After an Afghanistan-born woman who lives in Canada receives a letter from her suicidal sister, she takes a perilous journey through Afghanistan to try to find her.
A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.
The mysterious disappearance of a kindergarten teacher during a picnic in the north of Iran is followed by a series of misadventures for her fellow travelers.
Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.
Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.
Wounded by the police, a thief looks up his old friend in order to leave the proceeds of his theft with him. Instead, he finds that his friend is a drug addict. He sticks around to try and help his friend kick the habit; instead, both men are caught in a shootout with the police and...
In 1986 Iran, Sahebjam, whose car breaks down in a remote village, enters into a conversation with Zahra, who relays to him the story about her niece, Soraya, whose arranged marriage to an abusive tyrant ended in tragedy.
Yahya is a middle-aged man who lives in a small town, a place where he can hide and forget his past, connected to the repression in Iran. One day, his son Nima leaves the house and disappears. Gradually, he distanced himself from Marta, his lover, and sought refuge alone. So, the police department calls and informs that a body that cannot be identified has been found, and Yahya is convinced that his son ran away because he found out his secret. To find him, Yahya will have to face his memories.
Parvis, the son of exiled Iranians, copes with life in his small hometown by indulging himself with pop culture, Grindr dates, and raves. After being caught shoplifting, he is sentenced to community service at a refugee shelter where he meets siblings Banafshe and Amon, who have fled Iran. As a romantic attraction between Parvis and Amon grows, the fragile relationship between the three is put to a test.
Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
An old villager deeply in love with his cow goes to the capital for a while. While he's there, the cow dies and now the villagers are afraid of his possible reaction to it when he returns.