OLD?! is a 55 -minute documentary showcasing over seventy people with poignant stories and plain-speak wisdom about the life journey of aging. These individuals, from 10 days to 101 years old, offer funny, touching and inspiring stories as they share their perspectives about what it means to be old. Throughout the film OLD?! invites us to embrace our own aging process.
OLD?! is a 55 -minute documentary showcasing over seventy people with poignant stories and plain-speak wisdom about the life journey of aging. These individuals, from 10 days to 101 years old, offer funny, touching and inspiring stories as they share their perspectives about what it means to be old. Throughout the film OLD?! invites us to embrace our own aging process.
2015-07-25
0
Age is only a number
The film accompanies members of a Hamburg choir singing modern pop songs.
In this revealing one-hour special, we look at the lives of older mums and women desperate to become mothers - at any age. Medical experts say that it is now possible for a woman of 80 to have a baby but is it morally and ethically correct? This heart-rending program looks at the difficult choices facing women who want to become mothers late in life and explores the desperate measures they take in order to fulfill their dream.
Ulrike and Olli meet in 1985 while on tour with Circus Roncalli. He is living his childhood dream as part of the successful clown duo 'Illi & Olli'. She has recently left her life as a nurse in Berlin behind. When the season is over, she moves with him to Switzerland. What began as a circus fairy tale eventually becomes reality, amid creative crises, raising children, and ultimately growing older.
A film about an aging men's field hockey team from the Netherlands - average age: 70! - that has been playing together for over 50 years. They have decided to stop playing because they can't keep up with the 65-year olds… A portrait of a regional team of friends who are growing old together… And they are about to play their very last game together. Winner Audience Choice Award Art of Brooklyn Film Festival 2014
A married woman, who has set aside her dreams for the sake of her husband and daughter, rediscovers her true self and becomes an achiever.
A middle-aged woman frees herself from the spirit-crushing influence of her husband by refusing to remember what her age is.
Late into his career, an elderly jazz drummer is forced to come to terms with aging after a bandmate suggests he retire.
Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
An old widower, Jasper, routinely makes coffee in two mugs and picks up trash around his community. Some of his more interesting finds speckle his home. His neighbors mostly disregard him. On one of his regular hunts, he chances upon an envelope. To his surprise, he finds old wedding photos and presumes the addressee, Angie, to be the bride. Determined to complete the delivery, Jasper follows a map to the address. When he finally arrives, his excitement is upended when Angie, now divorced, rebuffs him and the photos. He leaves her with an open invitation to his home, should she change her mind. The next morning, Jasper starts his routine-only to find Angie at his door. After a heart-to-heart on loss and new life, Jasper invites Angie to pick up trash with him. Together, they go.
Abstinence leads to suffering, falling off the wagon means death. Tinou must adhere to a strict regimen to qualify as a recipient of a new liver. Aschi is also suffering: from the lacklustre present, which seems to render his brilliant past all the more magnificent. But he retrieves the past in a letter from South Africa.
Irma and Henry live the dream of eternal love, which might end badly. A whimsical tale about old age.
An ignored older man makes a dramatic and reckless bid for attention with success.
Two friends aspiring for greatness in the art world when luck intervenes. Kramer pays homage to Chaplin and Keaton in this black and white silent.
An exploration of the final five eggs battling for their existence within Magdalena as she navigates around the voices of society, and her own body.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.