Showing the entire catastrophe resulting from the attempt of Mr. Gorham to ride around the loop the loop on a bicycle. While the enormous crowd watches him he comes down the slide with the speed of the wind, circles the loop, but as he nears the bottom his wheel swerves from the path and the rider crashes into the framework of the structure. Attendants rush up and carry away the injured man. (Biograph Catalog)
Himself
Showing the entire catastrophe resulting from the attempt of Mr. Gorham to ride around the loop the loop on a bicycle. While the enormous crowd watches him he comes down the slide with the speed of the wind, circles the loop, but as he nears the bottom his wheel swerves from the path and the rider crashes into the framework of the structure. Attendants rush up and carry away the injured man. (Biograph Catalog)
1903-07-31
0
Short documentary on the Antwerp Ford Motor Company plant.
Dancing in Dulias was made by members of Lesbians and Gays Support the Miners (LGSM) and Lesbians Against Pit Closures during and immediate after the 1984/85 minders strike. Like the forthcoming movie, Pride, it documents the interactions between lesbians and gay men and the miners and their families in Dulais in South Wales - only this time it's the real thing. As well as some memorable footage that includes the Blaenant Lodge banner leading the 1985 Lesbian and Gay Pride march and LGSM members struggling with bingo at the local community hall, the film documents the wider political impact of this seemingly unlikely alliance. (cont. http://www.cambridgefilmfestival.org.uk/films/2014/dancing-in-dulais#sthash.HScQCj7E.dpuf)
When the inmate Maria do Socorro Nobre reads an article about the Polish artist Franz Krajcberg in Veja magazine, she decides to write a letter to him. Socorro was sentenced to more than twenty-one years in a prison for women in Salvador, Bahia, while Franz is a tormented artist that lost his family and lived his childhood in a ghetto in Poland but survived the Holocaust. Franz moved to Brazil and recovered life wish living close to nature and inspires Socorro to dream with life again.
Het korps Mariniers is a documentary about the Royal Dutch Marine Corps, which Paul Verhoeven made while being assigned to the Marine Film Service as a documentary filmmaker.
A fascinating pictorial document: On an old, cluttered work ship, a man is helped on with a bulky, old fashioned diving suit. It's a complicated process, many layers and sections are carefully applied. He goes over the side. Some men row out to what looks like a wrecked barge and set dynamite. Then the diver returns and now laughs and acknowledges the camera. The other men, now safely away, blow up the barge.
In the interior of the Inhamuns, the driest and poorest piece of land in Ceará, the ghost town of Cococi, among ruins and neglect, is a kind of living museum from immemorial times. In the middle of the deep caatinga, wandering among the ruins and the shadows, lives Dona Laura, 70 years old, brooding over memories and pain.
Documentary about the leader of the fascist party in The Netherlands, from 1931 till 1945. This architect called Anton Mussert was shot in 1946 after having been convicted for high treason and aiding the enemy.
Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.
This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.
Jean Reno discusses his career and his role in the film Léon: The Professional (1994).
A short documentary film about fashion designer Giorgio Armani; it shows him preparing for a show and discusses his ideas about fashion, his family history and the city of Milan.
Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.
Learn today's simple, step-by-step way to make more money with less effort...and have fun! Phyllis Diller shares her "garage sale secrets" with you, digging into closets, plowing through old boxes and clearing out the attic as she organizes an attractive, moneymaking garage sale.
[…] Though the highs and lows of human experience are all here, it's often the gimcrack set design and fashion chops in these vintage clunkers that really wow – the pot-holder sweater vests, ponytails decorated with yarn, hippies with crumb-catching moustaches, banana-seat bikes and a hard rain of Quaaludes and amphetamines to illustrate the dangers of drug addiction. It is hard to believe anyone would buy the goofball cause-and-effect of that pill-popper's weather pattern in "Drugs Are Like That". Co-produced by the Miami Junior League and narrated by Anita Bryant in this cheery little hand-slapper, a kid stealing cookies from a cookie jar is implied to be headed down a bad road to Bowery bum rolls and LSD parties. (from: http://clatl.com/atlanta/av-geeks-greatest-hits-lessons-learned/Content?oid=1268313)
A portrayal of the Mexican Day of the Dead consisting of still shots and narration. Deals with the special objects and events surrounding the annual Mexican celebration of “All Souls Day”. It is not only a rich flood of folk art, but a view of the way that the Mexicans have come to terms with death. Searched out with the help of Alexander Girard and a moving guitar score by Laurindo Almeida.
A portrait of artist, actress, poet and occultist Marjorie Cameron, it shows images of her paintings and recitations of her poems. Preserved by the Academy Film Archive in 2006.
A colour anamorphic musical look at London's Heathrow airport over 24-hours in November 1971. The subject was shot entirely at Heathrow airport without recording any direct sound. LHR's many layered tracks were all compiled, recorded and laid in post-production.
The dangers of drug use by teenagers are illustrated by showing how well-dressed, happy teens are turned into slovenly, long-haired, drug-addled potheads who don't know that, according to the film's drug expert, “in high dosages, it [marijuana] parallels LSD.”
Italian director Michelangelo Antonioni enters St. Peter's Church in Rome, wherein lies Italian Renaissance artist Michelangelo Buonarotti's statue of Moses.