The Inner Wave(2005)

Portrait of Penge(en)

Film about the town of Penge featuring local personalities, housing, shopping, traffic and the Penge formation dancers.

When I dance(en)

Four dancers from Israel, Spain and Italy decide to take part in a cultural project and investigate the stories of some refugees from Pakistan living in camps outside Berlin. A reflection about the possibility of the body to tell stories, deleting social and ethnic distinctions, and connecting people from different groups.

winter, my words immure(ro)

After moving to Bucharest, Sânziana reflects on how this change has affected her perception of herself and her body.

An Orange Waiting to Be Eaten(fr)

Working Dancers(en)

In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.

Estudio de danza(es)

The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.

Danse la Vie(fr)

Ella(en)

Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.

Whose Utopia(zh)

A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.

We Are Moving: Memories of Miss Moriarty(en)

Joan Denise Moriarty doggedly followed her dream of bringing ballet to every corner of Ireland. A pioneer of early 20th century Irish dance, she dared to create a uniquely Irish form of ballet inspired by her love of nature and Irish folklore. Her life's work has been largely overlooked since her death.

The Lion Dance(ja)

The lion dance in traditional Japanese theatre.

Dance, Franchonetti Sisters(en)

Three young women with dark, curly hair stand on a stage with a black background and patterned carpet or tile underfoot. They wear tights, ballet shoes, and frilly dresses to the knee with multiple petticoats and ruffled drawers. They begin by raising their right legs up by their heads, and then perform a dance with a variety of kicks and leg movements, their hands either in the air or pulling up their skirts. The sisters also grab their right legs again and hop in a circle, then do cartwheels and land on the floor in the splits. Jumping back to their feet, the women twirl in circles and around each other in circles in what appears to be a type of pirouette, while holding up their skirts and showing their bloomers in a manner similar to the cancan.

The Pickaninny Dance from the “Passing Show”(en)

“A scene representing Southern plantation life before the war. A jig and a breakdown by three colored boys.”

Danse du papillon(fr)

Butterfly dance.

Our Stories, Ourselves(pt)

Sixty-six adolescents, residents of Favela da Maré, were selected to participate in a dance show led by the choreographer Ivaldo Bertazzo, which incorporated their own daily experiences. Ten years later, directors David Meyer and Helena Soldberg search for some of the participants of this experience.

Danseuses cambodgiennes du roi Norodom, II(fr)

Movement in Structure(en)

A dynamic and lyric routine explores the relationship between the dancer and the performance space. Choreography by John Lam.

Margot(en)

A biographical look at the career of the acclaimed Margot Fonteyn. As a little girl called Peggy Hookham growing up in Shanghai, she told her mother she would one day become the greatest dancer in the world. Still performing at the age of 67 despite being almost unable to walk, hers is a story of courage and tenacity, of unbelievable devotion to her art and to those whom she loved. Those who ultimately left her penniless and alone, to be buried in a pauper’s grave.

So Good To Be Home!(en)

Movie version of Mary Mellow's autobiographical one woman show of a spiritual knockdown with almost happy but enlightening ending and a lot of tea.

N/um Tchai: The Ceremonial Dance of the !Kung Bushmen(en)

Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.