On stage, wearing a vinyl corset and stiletto boots, s/he's Venus, lead singer of the glam rock band All The Pretty Horses. At home in Minneapolis with Lynette, her wife of twenty years, s/he's Steve. Born male, Venus is transgender. S/he's "in between" — taking female hormones, but not planning to have sexual reassignment surgery. To some, s/he's a pioneer, courageously exploring a brave new world of gender identity, free of categorization. To others, s/he's a freak. VENUS OF MARS is both the unique coming out story of Venus' gender-redefining journey, and the truly contemporary love story of a couple weathering dramatic changes in uncharted relationship territory.
On stage, wearing a vinyl corset and stiletto boots, s/he's Venus, lead singer of the glam rock band All The Pretty Horses. At home in Minneapolis with Lynette, her wife of twenty years, s/he's Steve. Born male, Venus is transgender. S/he's "in between" — taking female hormones, but not planning to have sexual reassignment surgery. To some, s/he's a pioneer, courageously exploring a brave new world of gender identity, free of categorization. To others, s/he's a freak. VENUS OF MARS is both the unique coming out story of Venus' gender-redefining journey, and the truly contemporary love story of a couple weathering dramatic changes in uncharted relationship territory.
2004-05-11
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The eye-catching transgender singer of a Minneapolis glam rock band and her wife negotiate the frontiers of love and gender.
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A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.
Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
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Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.
Every day our changing climate pushes us closer to an environmental catastrophe, but for most the problem is easy to ignore. David Hallquist, a Vermont utility executive, has made it his mission to take on one of the largest contributors of this global crisis-our electric grid. But when his son Derek tries to tell his father's story, the film is soon derailed by a staggering family secret, one that forces Derek and David to turn their attention toward a much more personal struggle, one that can no longer be ignored. - Written by Aaron Woolf
Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.
Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.
A young, unnamed woman, while biking home from the bank she works at, happens upon a weakened tree goddess whose native shrine is being demolished for construction work. She rescues her and brings the goddess home with her. The two form a relationship, but what will happen to the goddess as the construction progresses?
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The young and reluctant new owner of Camp Minneshanka stumbles upon an old staff training video, unleashing a vengeful spirit that wants just one thing: to make a music video.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
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