With music by The Cardboards, The Shakes, Hans Brinker and The Dykes. By combining semi-fictionalized and documentary material, this film is as definitive a record of the Pittsburgh punk scene during its nascent underground as anyone could hope for. Beroes' band footage is radical departure from the gimmickry of stereotyped rock band documentary in its use of pans and slow dollys, capturing small glimpses of the musicians at work that a 'PR' film would have avoided at all costs. The cinematography demands a reconsideration of the rock band documentary's hoary technical vocabulary. From the time this film was made changes have already taken place in Pittsburgh punk-dom as the bands have moved from an insular salon society to more 'legitimate' venues. Some say things are better than ever, others mourn the passing of Pittsburgh punk's innocence. Beroes in Debt Begins at 20 has produced not only entertainment, but also a small and very precious time capsule.
With music by The Cardboards, The Shakes, Hans Brinker and The Dykes. By combining semi-fictionalized and documentary material, this film is as definitive a record of the Pittsburgh punk scene during its nascent underground as anyone could hope for. Beroes' band footage is radical departure from the gimmickry of stereotyped rock band documentary in its use of pans and slow dollys, capturing small glimpses of the musicians at work that a 'PR' film would have avoided at all costs. The cinematography demands a reconsideration of the rock band documentary's hoary technical vocabulary. From the time this film was made changes have already taken place in Pittsburgh punk-dom as the bands have moved from an insular salon society to more 'legitimate' venues. Some say things are better than ever, others mourn the passing of Pittsburgh punk's innocence. Beroes in Debt Begins at 20 has produced not only entertainment, but also a small and very precious time capsule.
1980-01-13
6
“NARUTO to BORUTO THE LIVE 2019”, a special event for the 20th anniversary of the first publication of “NARUTO” series in Weekly Shonen Jump!! Featuring live performances by artists performing the theme songs of both “NARUTO” and “BORUTO: NARUTO NEXT GENERATIONS”, anime cast members reading original story episodes, and more.
Three cosmonauts bid farewell to their loved ones and embark on a journey into space, where they encounter discoveries in uncharted territory yet to be explored by humankind.
A grieving young inventor finds solace in repairing an antique typewriter.
This movie tells the story of Hong Kil Dong, a legendary 15th century Korean Robin Hood figure.
Eagle Chief Yoh Xi-hung raises orphans to be his personal killers. One such is Chik Ming-sing who now wants to put his killer life behind him. When the Eagle Clan come after him, a stranger called Cheuk comes to his assistance It turns out that Cheuk is the son of a family who were robbed and murdered by the Eagles. Now they will team up to destroy the evil clan.
The film begins in Mumbai where a terror-sticking dead body from the hospital mortuary wakes up. Everybody reads him as Godse who is in a coma for 18 months, and a couple, Bhupati & Malathi Devi forwards as his parents. Further, he knowledges that he is CEO of a company that met with an accident done by his opponent Banerjee. However, he denies it, stating himself as Bose when doctors analyzed that it is a blackout stage.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
Warren Miller’s “Future Retro” will revel in 71 years of movie magic - with fresh stories and perspectives from across the globe, heroes from the glory days, and that retro energy keeping the winter dream alive.
Humanity finally rids themselves of Godzilla, imprisoning him in an icy tomb in the South Pole. All is peaceful until various monsters emerge to lay waste to Earth's cities. Overwhelmed, humanity is seemingly saved by a race of benevolent aliens known as Xiliens. But not all is what it seems with these bizarre visitors. If humanity wishes to survive, they must reluctantly resurrect their most hated enemy, Godzilla.
STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.
A coming of age drama set in Texas, about a suburban teen boy, estranged from his family, who enlists the help of his dysfunctional friends to become a professional motorcycle racer.
Conglomerated Assets, a brokerage firm is sinking fast as its CEO checks out and leaves the company to his inept film school drop out son. Enter Quincy, Waverly, Erica, Rudy, Tina and Yasmine. Team QWERTY--six sexy secretaries that must save the day.
Promotional video celebrating 20 years of the Naruto animation project.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
A mentally-afflicted young man is accused of murdering his longtime benefactor. The real truth of what happened lies in his mad obsession with his supposed victim's old typewriter, on which he types relentlessly, day and night.
Goku and Kuririn are given an assignment by Kame-Sen'nin: "Retrieve the sleeping princess from Lucifer and I will take you as my students." But the mission proves to be more perilous than originally thought.
Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.
An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.
A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.
The career-spanning anthology features more than 35 videos, tracing Jett's record-breaking career as the front woman of the Blackhearts. Both concert footage and classic videos are presented in chronological order on REAL WILD CHILD, with no-holds-barred commentary from Jett and longtime manager/partner Kenny Laguna, as well as rare and previously unreleased bonus material.
A decade after punk band Crust split, the band members lives have fallen apart. Drummer Bonehead has just been released from prison and sets about reforming the band for one last show.
Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).
Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.
In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.
A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.
Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.
Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.
The Underground subcultures in Budapest are an integral part of the diverse and colorful Hungarian culture. The creators of the film - Esther Turan and Anna Koltay - wanted to explore what were the major youth music subcultures in the '90s and 2000s in Budapest. This film is a tribute to the underground subcultures of the city. In these series of films, these grass-roots groups deal with the social impact of their community building power and the role played by Budapest itself in the formation of these groups. The film explores the kind of atmosphere and unwritten rules, what were the dominant places, external signs, and symbols, or who were the central figures and what were the memorable stories. The film guides the viewer from the best bands to the message, from the typical attire to the cult bars. The new generation is a starting point, a complex retrospective of where it originated and why the colorful underground cultural life still characterizes Budapest today.
On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.