O mikros drapetis(1968)

The 7th Day of Creation(el)

A newlywed man who has just completed his national service, Alekos Stathakis, is trying to get over his class' misery, but doesn't have the necessary "equipment". He conceives an ambitious plan and submits it to a great concrete factory. He seems to believe that success is just around the corner and shares his illusion with his wife and his father. When his plan is rejected by the company, he keeps it to himself, making things even worse. He keeps leaving home to seemingly go to work and wanders to no purpose in Athens. He watches the world around him without really seeing anything, until a fatal accident ends his tragedy

Oh, If I Only Were a Man(el)

Frustrated and unemployed after being sexually harassed repeatedly, Stella decides to play the role of a guy, using the identity of her twin brother (who is living in Australia) hoping to get a job. She immediately wins the trust of her new employers and soon gets promoted to manager. The troubles begin when she falls in love with her boss' son.

Mobile Suit SD Gundam Mk II(ja)

Mobile Suit SD Gundam Mk. II delivers with more tongue-in-cheek humor than the first series. In "The Rolling Colony Affair," a colony is hosting a cabaret show featuring the girls of Gundam. But the show turns disastrous when men and mobile suits go crazy over the girls, sending the colony rolling out of control. A parody of the videogame RPG genre, "Gundam Legend" has Amuro, Kamille and Judau sent on a perilous quest to rescue the princess of the Zeta Kingdom from Char Aznable and his vicious Zeon MS forces.

The Phantom Stockman(en)

Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Hanni & Nanni 3(de)

The Lindenhof School is expecting a busload of proper young English ladies as exchange students. The shock is great when the students turn out to be teenage boys! But while Mademoiselle Bertoux is delighted to stage “Romeo and Juliet” with real boys, both Hanni and her sister Nanni fall for their “Romeo,” Clyde.

Do-Re-Me(en)

Hong Kong movie

123 Hugs(en)

If hugs are tangible why am I hugging the void

1-2-3(en)

“1-2-3” explores the harrowing tale of human trafficking in the country.

Around Robin(en)

A young celebrity receives a letter from a mysterious stalker and develops catalepsy, a condition that paralyzes her whenever she feels threatened. After more letters arrive, suspicion falls on members of her inner circle, all of whom are dangerously obsessed with her.

HELLO(en)

Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?

Garden of Des Moines(en)

Garden of Des Moines is an intimate interview-style short film that follows drag performers in Iowa as they navigate the challenges of being queer in a conservative state. Through personal stories, the film explores the difficulties they face, from political pushback to societal pressures, while highlighting the joy, resilience, and freedom they find in drag. Set against Iowa's landscape, the film captures the vibrant, defiant beauty of queer expression flourishing in unexpected places

RETURN(en)

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Home(en)

Through eloquent portrayals of four different life experiences — birth, aging, marriage and the death of a parent — Home addresses how the dissolution of the nuclear family and the increasing control of daily life by institutions have affected the individual. The subjects of this verité documentary include a ninety-four year-old woman in a nursing home and a young man caring for his terminally ill mother at home.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo(fr)

Trans(verso)(pt)

The daily life of four trans men in their adaptation processes with their fears and desires.

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Heat Spell(fr)

A hot summer day. A half-unpacked house. A mother who needs room to breathe, and a child who needs space to truly exist. As the afternoon heat turns oppressive, time seems to move entirely differently for each person.

Mana Huncha Khina Sawule Chuti Dinna Aama(en)

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.