Teach Our Children(1972)

Attica(en)

Follows the largest prison uprising in US history, conducting dozens of new interviews with inmates, journalists, and other witnesses.

Criminal Injustice: Death and Politics at Attica(en)

Forty years after the bloodiest one-day encounter between Americans since the Civil War, the dead remain buried along with the truth. Until now. Based on interviews with eyewitnesses who just now are telling their stories, as well as access to newly discovered documents, the film sheds new light on exactly what happened at Attica between September 9-13, 1971. Criminal Injustice raises compelling new questions about the 39 deaths at Attica, White House involvement, and the corrupting influence of Nelson Rockefeller’s political aspirations before, during, and long after the deadly retaking of the prison. Former hostage Michael Smith said that “the cover up started as soon as the shooting stopped.” This film reveals that the truth actually may have been concealed long before that.

Hell(es)

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

Halfway Home: A Father's Story(en)

A father exits prison and tries to integrate with his two children and girlfriend while living in a halfway house and on parole.

La fuga(es)

The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.

Turned Out: Sexual Assault Behind Bars(en)

A look beyond the shock and inhumanity of prison rape to the intricate social hierarchy that keeps it alive. A filmmaker goes deep inside Alabama's infamous Limestone penitentiary to uncover the long-term causes and consequences of prison rape. With a startling lack of inhibition, five inmates reveal the workings of an elaborate inner society.

The House of the Dead(pt)

Bubu is a poet who has been committed to state institutions for the insane twelve times. He challenges the meaning of hospital-jails, hybrid institutions which sentence the insane to life imprisonment. The poem "The House of the Dead" was written during the filming of the documentary and reveals the forgotten deaths that occur in these judicial asylums. There are three stories in three acts of death. Jaime, Antonio, and Almerindo are anonymous men, considered dangers to society, whose punishment is the tragedy of suicide, the unending cycle of being committed to the asylum, or surviving life imprisonment in the house of the dead. Bubu is the narrator of his own life and also of his own destiny-death in the asylum.

The Prisoner of the Iron Bars(pt)

In 2002, the greatest prison in Latin America, Complex Carandiru, was demolished. A couple of months before its implosion, director Paulo Sacramento trained some inmates and together with his crew, they produced many hours of footage, showing daily life in prison.

JUNI 53(de)

Mula(es)

Francisco, Isabel, Fco. Javier and David are captured in different parts of the world when they worked as "mules" to overcome the crisis. They tell their stories from the deal that turned them into traffickers to their release from prison.

Ghosts of Attica(en)

Documentary about Attica prison riot and lawsuits to get compensation for the victims of these events.

Jelly Roll: Save Me(en)

An inside look as the 38-year-old prepares to perform at the famed Bridgestone Arena in his hometown of Nashville, featuring never-before-seen tour footage and interviews with the musician and those closest to him. It also shows how Jelly Roll balances life on tour with philanthropic work, including a visit to a juvenile detention facility where he was incarcerated multiple times to share his story in the hopes of inspiring positive change in others.

The Feminist on Cellblock Y(en)

A convicted felon builds a feminist movement from behind bars at an all-male prison in Soledad, California.

Safe Place(en)

A Southern Indiana man endures a fatal night of torture after being arrested for a routine traffic stop.

Dancing in A-Yard(en)

In prisons ruled by toxic masculinity, dancing is an absolute taboo. But at Lancaster’s A-Yard, near Los Angeles, a group of young men, willing to take a chance to be mocked in the yard, start a dance class led by French choreographer Dimitri Chamblas. This class quickly becomes an intoxicating escape from their grim reality so they decide to create a dance show. In this exceptional context, the inmates engage with overwhelming sincerity, evoking their childhood, ganglife, the crimes, the prison, and their desire for transformation. Beyond damaged lives and a prison system on the edge of the abyss, DANCING IN A-YARD explores redemption and the capacity of human beings to reinvent themselves, when given a chance. And more importantly, how art and introspection can help see the light.

Back On Track(en)

Low-level narcotics offenders too often cycle in and out of jail, re-offending soon after they hit the streets. District Attorney Kamala D. Harris has convened City leaders to answer this problem and, along with key partners, has launched Back On Track, an innovative education and employment reentry initiative focusing on young adult drug offenders. Designed to increase community safety by reducing recidivism, Back On Track couples strict accountability and close supervision with education, employment support and health care. The purpose of Back On Track is to prevent young people from committing crimes by leading them to make life changing choices.

Back On Track - Out Of The System(en)

Low-level narcotics offenders too often cycle in and out of jail, re-offending soon after they hit the streets. District Attorney Kamala D. Harris has convened City leaders to answer this problem and, along with key partners, has launched Back on Track, an innovative education and employment reentry initiative focusing on young adult drug offenders. Designed to increase community safety by reducing recidivism, Back on Track couples strict accountability and close supervision with education, employment support and health care. The purpose of Back on Track is to prevent young people from committing crimes by leading them to make life changing choices.

Preschool to Prison(en)

Preschool to Prison is a compelling examination of how the United States public school system is built and operated like prisons. Zero-tolerance policies are used to justify suspension and arrests that set up a pathway to send children of color and children with special needs from school to prison. Children are being suspended, restrained, dragged, physically manhandled, and subsequently arrested for minor offenses such as throwing candy on a school bus. These personal accounts from people affected by the school-to-prison pipeline give riveting tales about the generational impact on society.

Daughters(en)

Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.

The Black Stain(es)

Marlene's journey is one of rediscovery. Once she saw darkness as the truest reflection of her soul—a place of comfort and identity. But life's trials reshaped her understanding, transforming that darkness into a wellspring of resilience, insight, and unexpected strength.