Amílcar Cabral(2000)

Cap-Vert, l'archipel créole(fr)

"Some Kind of Funny Porto Rican?": A Cape Verdean American Story(en)

The untold tragedy and scandal of what happened to a vibrant community of immigrants from the Cape Verde Islands in the Fox Point section of Providence, Rhode Island who were forcibly displaced by urban renewal to make way for fancy coffee shops, antique stores and elegantly restored houses. Poignant, heartfelt and warm, in a timeless snapshot SKFPR captures the essence, spirit and heart of a community whose history was erased before it was written.

The Other Side of the Atlantic(pt)

The Other Side of the Atlantic is a documentary that builts a bridge in the ocean that separates Brazil and Africa. The film tackles the cultural exchanges, the imaginary created through the mirroring, the prejudice and dreams built in both sides of the atlantic through the life stories of the students of african countries in transit through Brazil.

Morabeza(en)

This 16mm short film undertakes a journey from slavery to ‘Morabeza’, a multi-faceted word that describes Cape Verde’s gentle spirit. Allow yourself be guided to discover the diversity and beauty of this South African country.

Contract(en)

This film explores aspects of the African Diaspora, history and culture that are not widely known or are normally overlooked in mainstream, popular and scholarly discourse. It tells the compelling story of two African countries(Cape Verde and Sao Tome & Principe) forever linked by a history of poverty and slavery, and two people forever linked by the unbreakable bond of family and love

The Island of Contenda(pt)

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

Casa de Lava(pt)

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

The Victims of the East Wind(pt)

Film adaptation of a novel published in 1960 by Cape Verdean author Manuel Lopes.

Cape Verdean Cranberry: The Fernandes Story(en)

Follow the story of one family's contribution to the history that ties Cape Verdean immigrants to the cranberry industry in southern Massachusetts.

Cape Verde My Love(pt)

Praia, Cape Verde. Laura, Flavia and Bela are childhood friends. Each leads her own life and they sometimes meet to dance, dine and have fun. But one day the calm rivers of their lives break their banks and become wild torrents: Ricardo, Flavia's husband, rapes his pupil Indira, Laura's 13-year old eldest daughter. A film that takes a critical look at the lives of women in Cape Verde.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

30 Days in Hell: The Making of 'The Devil's Rejects'(en)

An exhaustive, detailed documentary on the 30-day film shoot of "The Devil's Rejects"

The Making of Roar(en)

A production of Roar (1981) had special demands on both cast and crew. Learn about this incredible film and about the amazing people who made ROAR possible.

How to Win Eurovision(en)

Greg James and Russell Kane present a look at all the ingredients needed to become a Eurovision winner, celebrating the UK's successes and also its hall of shame.

Les Tuche : un phénomène qui tuche tout le monde(fr)

The phenomenon took everyone by surprise. In the span of three years, despite the mixed reception from the press upon its release in 2011, the Tuche family, a group of eccentric unemployed individuals, found a place in the hearts of the audience. With over eight million viewers during the television broadcast of the first installment and 4.6 million box office admissions for the second part, it became the biggest French success of 2016. The Tuche family has become a phenomenon. Word of mouth gave the film a second life beyond theaters, turning this tribe into the most popular family in French cinema.

De Dirty Dancing à Ghost : le destin brisé de Patrick Swayze(fr)

Pier Paolo Pasolini - Agnès Varda - New York - 1967(fr)

Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').

When Eurovision Goes Horribly Wrong(en)

Angela Rippon presents a guide to some of the Eurovision Song Contest's most disastrous moments. Including the kiss that ruined the chances of Danish singer Birthe Wilke.