Inspector Sunil Rana thwarts a hijacking, but instead of earning praise, he ends up suspended from the force. Depressed about the unchecked corruption in the police department, Rana seeks solace in a bottle. But when his best friend in the department is murdered, he realizes he must stand up for what is right. He may be suspended, but Rana has still sworn to uphold the law.
Inspector Sunil Rana thwarts a hijacking, but instead of earning praise, he ends up suspended from the force. Depressed about the unchecked corruption in the police department, Rana seeks solace in a bottle. But when his best friend in the department is murdered, he realizes he must stand up for what is right. He may be suspended, but Rana has still sworn to uphold the law.
1983-01-01
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In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
Based on real events, Honey Trehan’s second feature tells the story of human rights activist Jaswant Singh Khalra’s courageous campaign to uncover murderous corruption during the nadir of Punjab’s period of insurgency.
The grouchy Makhichoos, whoe hates Diwali, is digging furiously in the Dholakpur forest searching for a demon. Soon the demon emerges from the roots of a tree. Both the evil witch and Makhichoos plan to build a new kingdom on the eve of Diwali and teach Bheem a lesson. While Bheem and his friends are preparing for the celebrations, Chhota Hanuman also comes there to be a part of the festival. But something worse happens; Makhichoos and the evil witch kidnap princess Indumati. Will Bheem and Hanuman together rescue Indumati and triumph over the evil.
The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.
A classic crime narrative in the backdrop of Delhi merges a dysfunctional, mafia family at war with each other as an undercover officer fights his demons by assisting in their downfall.
A love triangle forms after a male finds his best friend has married his sweetheart.
Three aspiring music artistes endanger their lives after they get into the bad books of a gangster.
A newly-wed man discovers that his wife is in love with another man and decides to unite them. Ignoring the ridicule he might have to face for this, he takes his wife to Italy in search of her love.
Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.
Circumstances force a mill worker with a sick child to take the law into his own hands. It is only when he arms himself with a gun and storms into the hospital that people begin to notice his plight.
Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.
A bookstore owner falls in love with a talented author who doesn't feel the same way about him. His desire to get what he wants turns into a strange and dangerous obsession which complicates their lives together.
Batra family has just four days left to vacate their house of 34 years. Amidst the mayhem and uncertainties of the future, insecurities and secrets surface.
We are thrust into the decaying crumbling marriage of Megha and Vinay. A relationship that is now running only on toxicity and vitriol for each other. Accusations fly, perceptions have been distorted and what is left is an unreliable narration of events. The only thing certain is that there is no redemption when they try to address this by inviting guests…
The five-month-old baby of impoverished tribal woman Jhumpa Mahato is stolen. Two brothers, Gautam and Raman, who witness the kidnapping, try to help her and become embroiled in the complexities of the investigation.
Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.
Three couples who get separated from each other due to an evil ploy, reincarnate after 600 years and meet each other as history repeats itself again and their respective partners get mixed up this time.