Testicles
Strange experimental short film that follows four days of a writer.
1988-07-28
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Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.
Soon after getting married, couple Maya and Andi begin to experience eerie disturbances from unseen malevolent forces.
A anthology of filth and death, filmed with a psychotic producers money.
A webcam tunes the body. The corpo-reality of the image in the process of transmutation.
After a series of murders begin to happen at Gregory Hills school, a group of friends decide to investigate the bodies, thus beginning a great search for the truth and discovering the real killer.
A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.
An exploration of the interconnected experiences of queerness and illness, this film navigates personal and collective journeys through medical spaces, sexual violence, and survival, displays the profound impact on body and identity.
A festival of digestion on many scales, from planetary to microbial.
The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. In a self-referential deconstruction that punctures the theatrical illusion, the poets are seen reading their texts and interacting as self-conscious performers within the dance. Atlas and his collaborators intersect the language of words with the language of the body.
Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.
Writing a letter to Paul B. Preciado, trans philosopher and filmmaker, as one would write to a friend. Undertake a healing process as a queer child growing up in a Spanish evangelical family. From Lausanne to New York, Lézio Schiffke-Rodriguez follows in the footsteps of revolutions that invite us to redefine our vision of binary bodies.
A video work which reflects on the conflicting natures of gender, bodies, queerness, algorithms, glitches, and data.
Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.
16mm color work by Stan Vanderbeek that takes his work away from the cutups and the commentary and lands him in the psychedelic and abstract. Opticals, repetitions, camera moves and zooms are what make up the bulk of this exploration into fluids. The results bridge that realm between hangout art piece and intersteller stoner trip.
Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.
Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.