“The Riddle of Lumen” presents an evenly paced sequence of images, which seem to follow an elusive logic. As in “Zorns Lemma” the viewer is called upon to recognize or invent a principle of association linking each shot with its predecessor. However, here the connection is nonverbal. A similarity, or an antithesis, of color, shape, saturation, movement, composition, or depth links one shot to another. A telling negative moment occurs in the film when we see a child studying a didactic reader in which simply represented objects are coupled with their monosyllabic names in alphabetical order. –P. Adams Sitney. Preserved by the Academy Film Archive in 2007.
“The Riddle of Lumen” presents an evenly paced sequence of images, which seem to follow an elusive logic. As in “Zorns Lemma” the viewer is called upon to recognize or invent a principle of association linking each shot with its predecessor. However, here the connection is nonverbal. A similarity, or an antithesis, of color, shape, saturation, movement, composition, or depth links one shot to another. A telling negative moment occurs in the film when we see a child studying a didactic reader in which simply represented objects are coupled with their monosyllabic names in alphabetical order. –P. Adams Sitney. Preserved by the Academy Film Archive in 2007.
1972-11-10
5.5
Constructed around a found soundtrack in which a strict female voice delivers a test of perception and comprehension, Institutional Quality’s sound and image relationship become detached as the filmmakerloses interest in his subject.
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
From the birthplace of boxing legend Mike Tyson, young women brawl in secret fight clubs to win $1000 and invaluable street cred.
Professor Calculus's friend develops a blue-skinned orange that can grow on any kind of land and survive harsh weather (in the manner of Lue Gim Gong) and therefore solve world hunger. The Professor and his friends, however, run afoul of gangsters who also covet the fruit. The adventure takes them from their home in Marlinspike Hall (Moulinsart), a fictional mansion that is presumably in Belgium, to Spain, where Calculus and another scientist are kidnapped.
Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
The Rock returns home to be The World’s Most Electrifying Host of WrestleMania XXVII from Atlanta, GA. The Great One will lay the SmackDown on all of the pomp and festivities that makes WrestleMania the world’s greatest, annual pop culture extravaganza. John Cena looks to dethrone the self-proclaimed “most must see WWE champion in history” the Miz. Undertaker’s legendary 18-0 WrestleMania winning streak has never been in greater peril when Triple H challenges the Phenom. Alberto Del Rio looks to fulfill his destiny and take Edge’s World Heavyweight Championship. A bitter and personal rivalry comes to a head when Randy Orton battles CM Punk.. All this and more when the Superstars of WWE invade the Georgia Dome for WrestleMania XXVII.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
After going on a killing spree in 1984, the legend of the Pumpkin Man returns once again to slay more victims 30 years later.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Rephotographed pornographic playing cards rhythmically intrude upon a piercing 5-beat score of different-sized black parallel lines, creating an almost indiscernible complexity, until the lined background ruptures and the sounds and visuals become scattered and disordered. The "girlie" cards break out onto saturated color fields and eventually find their way into the real world, aggressively flickering by against backgrounds of earth, concrete and other surfaces. Preserved by the Academy Film Archive in 2016.
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
This Oscar-winning documentary tells the story behind Japanese daredevil Yuichiro Miura's 1970 effort to ski down the world's tallest mountain. Preserved by the Academy Film Archive in 2010.
Raymond Joshua, a young black performance poet, is arrested and imprisoned for a petty marijuana charge in a Washington, D.C. jail. Although the confining prison walls do little to shield him from danger, it is within those walls that Raymond establishes his identity, strength, and voice and meets a prison gang leader and a prison writing teacher, Lauren Bell. Bell inspires Raymond to use the power of creative expression to free himself from the struggles and demise of the Black male as another victim of the judicial system.
A bewitching, mysterious work of enveloping beauty, the film’s ominous title and a dedication to Anne Frank deeply inform our reading of its haunting subtext. Preserved by the Academy Film Archive, in partnership with the National Film Preservation Foundation, in 2009.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.
A description and enactment of the discovery of gold by James Marshall, and the role played by John Sutter. Preserved by the Academy Film Archive.
A young sailor falls in love with a mysterious woman performing as a mermaid on the local pier. As they become entwined, he comes to suspect the woman might be a real mermaid who lures men to a watery death during the full moon. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
“When Picasso died I wanted to make the first post-mortem documentary, as I knew would happen anyway, and cheaply. The film took four hours to finish from camera to print and cost a little under $5." Preserved by the Academy Film Archive in 2008.
Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.
An uptight English writer traveling to Crete on a matter of business finds his life changed forever when he meets the gregarious Alexis Zorba.
What remains, unedited, of the first episode of a serial by several hands, subject to a form of supervision-control by Fischinger. It opens with an extremely happy image (a "creative hand" which subsequently returns from time to time) — with shading and movements which appear to have been achieved by the use of the Rotoscope — characters who evoke the commedia dell’arte, in a somewhat joyless tone, but visually dramatic and with echoes of "caligarism". Enno Patalas would like to visit the other surviving episodes, better to understand the spirit of the operation conceived by Louis Seel, designer emeritus and the inspiration of the project. Preserved by the Academy Film Archive in 2000.
Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
This fascinating making-of documentary investigates the controversy and political atmosphere surrounding the production of Salt of the Earth, movingly chronicling the filmmakers' defiance of the blacklist. (BAM) Preserved by the Academy Film Archive in 2015.