Made in the early 1990s, this award-winning Canadian documentary presents the stories of gay and lesbian teenagers who have come out to their family and friends. The journeys for most were emotional and sometimes painful, but ultimately a source of strength and hope. Also included are the tales of young transvestites and street hustlers who have had to leave home because of rejection by their families. P-Flag, a support group for parents of gays is also briefly profiled.
Made in the early 1990s, this award-winning Canadian documentary presents the stories of gay and lesbian teenagers who have come out to their family and friends. The journeys for most were emotional and sometimes painful, but ultimately a source of strength and hope. Also included are the tales of young transvestites and street hustlers who have had to leave home because of rejection by their families. P-Flag, a support group for parents of gays is also briefly profiled.
1994-05-27
1
Under the neon lights in a gay-friendly neighborhood of New York City, four young African-American lesbians are violently and sexually threatened by a man on the street. They defend themselves against him and are charged and convicted in the courts and in the media as a 'Gang of Killer Lesbians'.
Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.
The eight-year Iran-Iraq War was one of the most brutal conflicts to devastate the region in the 20th century. Zahed was 13 years old when he enrolled in the Iranian army. Najah was 18 when he was conscripted into the Iraqi army, and he fought against Zahed in the Battle of Khorramshahr. Fast forward 25 years, a chance encounter in Vancouver between these two former enemies turns into a deep and mutually supportive friendship. Expanded from the 2015 short film by the same name.
Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.
The director goes back to her roots in Pangnirtung, amongst her family and community. It leads her to another journey: to Qipisa, the outpost camp from where they were uprooted.
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
The film takes us into the nearly impassable Darkwoods in Canada, with its ecosystems of old growth valleys and alpine meadows. It's a wonderful part of British Columbia with unique flora and fauna. These remote mountain ranges are home to rare mountain caribou, endangered bats, grizzly bears, wolves, and unique birds.
The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
After their success climbing the world’s hardest offwidth, the Wide Boyz, Pete Whittaker and Tom Randall, embark on their next crack climbing mission. This time their sights are set on the thinner end of the crack climbing spectrum. Their goal is the mighty Cobra Crack in Squamish BC, considered to be the hardest finger crack in the world. First climbed by Canadian ‘rock star’ Sonnie Trotter after battling it out with Didier Berthod, the route hit the media spotlight in the film First Ascent. With no local hard cracks to train on, the Wide Boyz refit their underground training dungeon and commit to a year of torturous finger training. With only a short trip to Canada planned, the Boyz face their biggest challenge yet against the sharp granite bite of the mighty Cobra Crack!
ARCTIC SUMMER is a poetic meditation on Tuktoyaktuk, an Indigenous community in the Arctic. The film captures Tuk during one of the last summers before climate change forced Tuk's coastal population to relocate to more habitable land.
A self-portrait short film on 16mm from a trans male perspective.
In the indigenous communities around the town of Juchitán, the world is not divided simply into males and females. The local Zapotec people have made room for a third category, which they call “muxes” - men who consider themselves women and live in a socially sanctioned limbo between the two genders.
In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
This documentary reveals the impacts of the Sixties Scoop, a period in which a series of Canadian policies enabled child welfare authorities to take, or “scoop up,” Indigenous children from their families and communities for placement in white foster homes. Explore Indigenous resilience through narrative sovereignty as experienced through the Little Bird series’ Indigenous creatives, cast, crew & community members.
This documentary by Michael Rubbo (Waiting for Fidel) offers candid glimpses of Indonesia and its people. Filming in and around the capital of Jakarta, the cameras follow where chance leads, capturing the flavour of life in this fertile crescent of tropical islands. Throughout the film, the focus is on a society caught between the past and the conflicting options for the future - to change or not to change from long-established patterns of life to ones more influenced by western technology.
This short film retraces the life of Herman Smith Johannsen – the man who introduced the sport of cross-country skiing to Canadians. From past to present, his life story is portrayed through pictures from sports newsreels, Norwegian archives and his family album. The film catches up with him at both the Canadian Ski Marathon, where he is the honoured guest, and on a return trip to his native Norway.
In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.