2007-07-28
6
Three macabre short stories about gambling, vengeance and homicide.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
Masked Avenger (Lone Ranger style) versus smugglers in a small fishing town.
A half-cast used cars salesman wants anything from the white society and is ready to do anything to get it. But when he is accused of murdering his half-sister who was killed with his rifle, he flees to an indian village. He doesn't feel any more at home there than in the white city. He decides to go back to find and punish the killer.
Boy is the unsettling story of a young male prostitute, or Rent Boy, in a small rural town who learns the truth behind a hit and run accident which has killed a local girl. When the news of the girls death spreads through the community, the driver and his family decide that the boy must be silenced. The set out to scare him into silence. The pressure becomes more and more violent, but despite this, the boy battles to expose the truth.
This film revolves around a boy who accesses his dead mother and comes to know of things he hadn't known of her past.
Live performance from the influential post-punk band, one of the pioneers of industrial and goth music, fronted by the eccentric Jaz Coleman.
What happens when four despicable idiots decide to rob small-time payday lenders?
The stand-alone pilot OVA which was shown as part of the "Jump Super Anime Tour" of 1998. Shortly before the TV series, a summary is presented of the story of Gon who wants to become a hunter and the friends he makes in the process.
Thirteen Smiths' recordings, half of them in a club with a live audience. These alternate with five rock videos, two directed by Derek Jarman (Panic and Ask), two by Tim Broad (Girlfriend in a Coma and Stop Me...), and one by Paula Grief and Richard Levine (How Soon Is Now?). It concludes with Jarman's short film, "The Queen Is Dead," with a three-song soundtrack. The rock videos, particularly Jarman's, are filled with multiple and superimposed images, changing tints, and little narrative coherence; they get their pace from the music's rhythm. Androgyny, dancing children, belching smokestacks, graffiti, angry young men, a waif in a cap: collages of modern alienation.