
My family has lived in a house across from the Blue House, the presidential palace, for 50 years. During the era of military dictatorship, the Blue House was a place of fear and inaccessibility. But as South Korea democratized, more and more people were allowed to approach it. I had grown up surrounded by countless protests, but it was the first time their sound followed me home. The never-ending noise made the house where I was born and raised feel unfamiliar. But the place they now stood was the very spot where I had held a candle to protest just months before. My right to raise my voice also guarantees theirs.
Self
Self
Self
Self
Self

My family has lived in a house across from the Blue House, the presidential palace, for 50 years. During the era of military dictatorship, the Blue House was a place of fear and inaccessibility. But as South Korea democratized, more and more people were allowed to approach it. I had grown up surrounded by countless protests, but it was the first time their sound followed me home. The never-ending noise made the house where I was born and raised feel unfamiliar. But the place they now stood was the very spot where I had held a candle to protest just months before. My right to raise my voice also guarantees theirs.
2025-12-24
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7.7The film follows the 2023 raid by the Seoul Central District Prosecutors' Office on investigative outlet Newstapa. Director Kim Yongjin, its former head, traces a pattern of political prosecutions against critical journalists—from reports on Yoon Suk-yeol to Cho Kuk and Kim Keon-hee. Combining on-site footage, journalist testimonies, and legal records, the film reveals how special funds were used to pressure the media, silence dissent, and manipulate public opinion. It is a powerful reminder of the ongoing struggle to protect press freedom and democratic values in South Korea.
0.0Ep1. The Martyr and the Left: Under the Yoon Suk-yeol administration, construction workers were branded as “construction gangsters,” forced to endure a period of hardship. Ep2. Purple Ribbon: Wearing purple jackets and holding purple light sticks, the families of the victims of the October 29 Itaewon Disaster stand out on the street. Ep3. Dream, Breath: “I” keep waking up from dreams of being chased, a recurring cycle that haunts me day after day. Ep4. Breaking the Silence: Chai-han, who once said their dream was to become a human-rights activist, gradually grows distant from that dream after entering university. Ep5. Dancing Volunteer: After the December 3 martial law was declared, Park Pyeong-hwa felt compelled to return to the square. Ep6. Beyound the Impeachment: We interviewed a diverse group of people who came to the square after the December 3 uprising.
0.0The Hundred Squares: "No more delays," the cry of citizens echoes from the lives of those barely holding out against discrimination and hatred. Struggling with diverse identities in their daily lives, citizens reflect on the meaning of "discrimination" through their own experiences and testimonies. They question and reflect on what is needed to eliminate it and speak out before the camera. The Blooming Equalities: discrimination law that has been on hold for 20 years. A lawyer, a researcher, a religious figure, a writer, and an activist stand in the square again after a year, and, in this time of rampant right-wing extremism and hate, they speak of an anti-discrimination law as "the right answer to ending the insurrection, the last line of defense for human dignity, a current that can no longer be held back, a square that cannot at all harm families, churches, and the nation, and a place where the voices of the less fortunate can be heard."
On 3 December 2024, at 22:27 KST, President Yoon Suk Yeol declared martial law, accusing the Democratic Party of collaborating with North Korean communists and compromising state security. Police vehicles and soldiers blocked the National Assembly, preventing members of parliament from opening a session and repealing the martial law. What they totally underestimated was the collective memory of the Gwangju Massacre and its aftermath. People, along with the press, poured onto the streets and stood up against the armed martial law troops.
5.8Yoon Ji-hee played with the ouija board in childhood. As she grew, she sank deeper into the occult using ritual to change her appearance, manipulate events, enchant people - her ultimate aim: to rule Korea. Meanwhile, Kim Seok-il, a sturdy presidential candidate, is being investigated by a journalist who discovers things best kept hidden.
0.0A man who studies Mongolian history enjoys happy life with his wife. But one day after the president declares martial law, he loses his wife in a sudden accident. Struck by the immense shock, he loses his ability to speak. Now, the man must find his voice again in order to speak with the spirit of his departed wife.
7.0"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.
8.0Prominent film critic Tony Rayns has long been a supporter of Korean cinema. This film illustrates Rayns’ affection for Korean cinema through interviews of Korean cineastes that have a special affinity for him, including JANG Sun-woo, LEE Chang-dong and HONG Sang-soo among others.