Fine(2025)

Triumph and Ruins(it)

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

Amelia 2.0(en)

After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.

Sky to Soil(en)

A young couple with conflicting desires for intimacy attempt to celebrate their one-year anniversary.

Alta Morte(pt)

Dogville(en)

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

Stares(en)

A motorist is haunted by a wayfarer he has accidentally wronged.

Clarity(en)

"If I can't abandon you, then how can I save you?"

beer cans under my bed(en)

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Memories of Youth(en)

Grappling with the complexities of mental health and trauma in a digital age that feels isolating and overwhelming, a young person embarks on a surreal journey of self-discovery, navigating the raw truths of adolescence in an attempt to find a place in the world.

Three Walls and a Window(en)

A nuclear family sits in front of the television. The phone rings.

The Internal Void of a Damaged Mind(en)

Escape(en)

An experimental short film that follows a man who arrives home alone during the holidays after a long day of work. Finding himself consumed by his loneliness he looks for a way to escape.

Only Human(en)

A tale of people unfolds under the night sky. These doomed couples and lost individuals begin journeys and attempt to find resolution in their lives. Love is observed from a distance, sadness is in the air. With little sympathy for the loss and destruction caused to the characters, the stories progress and become neatly woven into a minimalistic portrayal of modern life.

Der junge Eskimo(de)

A visual epic about subliminal longings and the aesthetics of suffering. A work of atmospheric images and sounds dedicated to the retina, the eardrum and the soul. The young Inuit - the sea seems to have washed him up one day, to some place forgotten by God and time. Time, which is commonly called life, sticks to his fingers. Three steps behind him leaps the parasite of eternal suffering. The story begins in this enraptured sphere, focusing on a series of episodes in which the young man's fate takes its course: in a strange world that knows its own laws.

Absorción(es)

The emotional decline of a person after being the host of an energetic parasite.

Bipedality(en)

A relationship between a man and a woman discloses during the course of the film.

Self Decapitation(en)

Self Decapitation is a Janus-headed self-portrait by Rouzbeh Rashidi and Maximilian Le Cain in which death and desire each take possession of this film in two parts. The ambiguities of inhabiting a human body are conjured by way of film technology in its faults, faulty memories and false promises. There is no escape from its haunting – except perhaps to haunt it in turn…

Rosewater(en)

A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.

Speaking in Tongues: Take One(en)

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.