Luz(NaN)

Luminare(en)

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

Gemini(en)

Sarah and her two cats go about their separate lives. The cats have strange dreams about their desires, and Sarah develops an unshakable paranoia that something is wrong with them. Sarah's paranoia bleeds into her social life, and her two cats have their dreams come true.

Me + Her(en)

Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.

undressed(xx)

High Voltage(en)

High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.

Ghost Town(en)

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

SAIGO(ja)

In this film, Takamori Saigo, known as the last true samurai, comes back to life and wanders around in towns in Kagoshima. A light animation by TOCHKA.

ReBuild(ja)

After the Great East Japan earthquake and tsunami of March 11, 2011, I witnessed many changes. Towns were lost in a moment. Children living in Fukushima couldn’t go out and play freely. This work was made from the pictures drawn in the landscapes of parts of Japan. Using the reflection of sunlight, we tried to capture people’s emotion for "energy". Source: CaRTe bLaNChe

Revelation To The Disembodied(en)

Fragments of a collective post-human dream construct a world that straddles hyper-technological, ecological, and mythological dimensions.

Bunnyhood(en)

What could possibly be more important than feeding your daughter?

Sunstone(xx)

Experimental computer animation from pioneering artist Ed Emshwiller.

FOREIGN AFFAIRS(en)

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Stellar(en)

This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.

Vestige(en)

A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.

Mothlight(en)

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

Eye Myth(en)

After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.

Atman(ja)

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

TRACK(ja)

The birth of the universe, and the origin of all creation. Humans invented tools, discovered fire and painted murals in dark caves. Murals were created on a mission to pass down stories and history to posterity. From murals, we could tell that the discovery of fire was a highly important turning point for ancient humans. Now it's time for us, humans, to reconsider energy. Light animation by TOCHKA.

removed(en)

Starting with a piece of vintage porn, filmmaker Naomi Uman painstakingly removed each female figure from the footage using nail polish remover, leaving a striking absence where there's usually a fleshy presence. Uman's celebrated film is a smart retort to pornography's obsessive gaze at the female body.