The Biosphere(1979)

Transamazônica(pt)

Laufey - Live from Iceland(en)

In this Amazon Music Songline episode, filmed live in Iceland, Laufey reimagines her most beloved songs with stunning new arrangements at her childhood music school.

Mundurukuyü – The Forest of the Fish Women(pt)

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

Amazonia, an Encounter with the Guardians of the Rainforest(fr)

With a hybrid style blending political essay and road movie, this documentary by Santiago Bertolino takes us into the heart of the Amazonian reality. Following Marie-Josée Béliveau, an ecologist and ethnogeographer, they journey together along the 4000 km from the mouth of the Amazon River in Brazil to one of its sources in Ecuador where they meet with the guardians of the forest. As a result, we witness powerful and spontaneous testimonies from local communities who are doing everything to preserve what remains of their lands, which are disappearing due to the inexorable advance of Western modernity.

Yanuni(en)

Indigenous chief Juma Xipaia fights to protect tribal lands despite assassination attempts. Her struggle intensifies after learning she's pregnant, while her husband, Special Forces ranger Hugo Loss, stands by her side.

Les secrets des fresques d'Amazonie(fr)

Uma casa, uma vida(pt)

Once Upon a Time There Was Iracema(pt)

A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.

Como Matar um Rio(pt)

O Clube Da Guitarrada(pt)

Copinha(pt)

For the first time, Esporte Clube Macapá will compete in the Copinha, the world’s largest under-20 football tournament. For young prospects from Amapá, the competition represents a rare chance to gain visibility. In Brazil’s Amazonian north, they are often overlooked — but in the Copinha, their matches will be broadcast nationwide, watched by scouts and agents connected to major clubs.

Paid in Blood(pt)

After surviving the massacre in which the police killed ten landless workers in Pará’s Amazon region, Fernando dos Santos becomes the only survivor to reveal his identity and testify. Still shaken, he recounts how the police murdered his boyfriend and tortured his companions, yet the film portrays him as far more than a victim: a courageous man who left the city’s comfort to chase the dream of owning land, using humor and intelligence to endure the solitude of being a gay man in rural Brazil. Alongside him is José Vargas, an idealistic lawyer defending the survivors and their right to justice. As he faces threats and isolation, the film exposes the human cost of truth, resilience, and the struggle for dignity in a land scarred by violence and inequality.

AMAZORIOCA(pt)

A journey through the Brazilian Amazon, guided by the eyes of Renato, a Carioca turned Amazorioca. A reflection on identity, the legacy of an ancestral territory, and the cost of progress. An ode to the forest and the fragility of what remains.

Portrait of a Certain Orient(pt)

At the end of the 1940s, Lebanon is sliding towards a devastating conflict. Catholic siblings Emilie and Emir decide to leave for Brazil. Aboard the ship to their new home, Emilie falls in love with Omar, a Muslim merchant. For an enraged and jealous Emir, the relationship is intolerable. As the story unfolds against the backdrop of the majestic rainforest, Emir’s actions and the choice that Emilie subsequently makes lead to disastrous consequences.

Green Mansions(en)

A young Venezuelan idealist flees his native land to escape a revolution. Hoping to find peace, he goes to the mountains and the forests of the Amazon. There he encounters Rima, the Bird Girl, an orphan living a life of nature, who is feared by a local jungle tribe.

The Mercy Man(en)

A copycat serial killer is stalking Manhattan. When an old friend of NYPD undercover cop, Willy Diaz, aka 'The Mercy Man,' is murdered, Diaz embarks on an odyssey through the city's mean streets to catch the killer.

Up, Down(ru)

In the early 90s, a company of young artists discovered the possibilities of video. Unlike film, which was expensive and required complex development, the video could be viewed immediately. Before that, in the history of mankind, it was impossible to get your copy (media copy) so quickly. They filmed everything in a row: their art events, parties, just life. Sometimes they became the heroes of TV reports, so that their lives and destinies are intertwined in the media space with what is happening in the country and the world, creating an endless meta film. This is the story of the Great Digital Revolution of the 90s, which forever changed our heroes and the whole world.

The Ghosts of Oil(en)

In France, Germany, England and the United States, scientists and whistleblowers have embarked on a vertiginous hunt to find the oil and gas wells abandoned by the oil industry. What they reveal is staggering: between 20 and 30 million wells are left behind on all continents. An infinity of leaks that constitute the ghostly legacy of the global oil exploitation history. For most of them, these old drillings have not been plugged and are leaking into the seabed, underground or into the atmosphere – dangerous materials for the environment and for our health: oil, but also methane gas with a very strong greenhouse effect or underground substances loaded with toxic substances.

Movie Madness: 30 Years of Movies to Die For(en)

A found-footage tribute to Movie Madness, Portland's iconic video store. Movie Madness: 30 Years of Movies to Die For is a found-footage compilation of vintage commercials, old news footage, interviews with store founder Mike Clark, and more, celebrating 30 years of Portland's only remaining video store.

Cristo(es)

Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.