Lemon(1969)

Pan 3(en)

A journey through a field of corn.

1:11(pl)

Tomek is a young doctor specialised in obstetrics sonography. He lives lost among the women around him. One night he is abruptly woken up by a dead call from his father. This seemingly unimportant event gradually gains significance.

Blue Fire(en)

An elite A.I.coder faces a collision between the algorithms of the VR worlds he's creating and the archetypal dimensions of the greater Collective Unconscious. He finds solace in a rural farmhouse he rents from a Professor of Psychology who lives next door with a student he mentors on her dreams. Over two days, the dreams of all three impact their daily discourse in unexpected ways unhinging their lives through a vortex of a greater reality. BLUE FIRE spins the controversial A.I. phenomena beyond the consensus narrative of destroying the world VS. saving the world towards a radical vision of the future.

Shaolin Invincibles(zh)

Two sword-wielding sisters seek revenge against the villains who murdered their family. But these are no ordinary villains — they’re wizards with giant, elasticized tongues who use black magic to control... kung fu gorillas!

ウルトラマンダイナSPECIAL ：明日へ(ja)

Como Vivem os Bravos(pt)

After years imprisoned and being part of a intriguing prison break, ex-policeman Mumbaca and bandit Alfinete join forces to face a spiral of situations that come upon highwaymen looking for vengeance from all over Brazil’s Northeast, where everyone is doomed to fall for a trap set by a new enemy: the notorious Goteiro.

Reggae Boyz(de)

Plagued with poverty and violence, Jamaica tries to inspire its populace by qualifying their national team, the 'Reggae Boyz', for the World Cup. When their efforts start to fall short, Winnie Schäfer, a colorful German coach, teams up with reggae musicians to unite Jamaica beyond the soccer pitch.

One Hell of a Plan(fr)

Two burglars release dozens of cats into a neighbourhood and start the dogs barking. They use the din to their advantage and dig up a bag of loot. However, the situation snowballs and turns into the worst night the burglars ever spent.

Rebekah Vardy: Jehovah's Witnesses and Me(en)

Rebekah Vardy goes on a personal journey through her difficult history with the Jehovah's Witnesses, meeting former members and uncovering secret documents.

Toyland Casino(en)

A score of amateur children sing and dance in costume in a multi-act musical revue.

State Crime(fr)

State crime is a historic French telefilm, directed by Pierre Aknine and released January 29, 2013 on France 3. It discusses Robert Boulin case and supports the thesis of assassinat1.

¿Cuál es su emergencia?(es)

I Love Only You(fr)

Ronaldo, a singer with the growing reputation dedicating himself body and soul to his art, sacrificing his marriage.

Jeanne’s Audition(nl)

Jeanne dreams of leaving her life as a farmer behind to become an actress, but her path is troubled because she tirelessly tends to her mother, who’s battling inner demons.

Stigmata(es)

The story of Bruno, a rough, heavy man overly fond of drinking. His only desire is to be a normal person, but fate would have it otherwise. One day he wakens to find that his hands are starting to bleed, marking the start of a journey of redemption through suffering, pain and death. From now on he'll have to live with his new stigmata.

Dis Koue Kos, Skat(af)

When Clara Brand discovers that her husband is cheating on her with her friend and colleague, she plots her revenge, all the while juggling new friendships, new romances and the rediscovery of her passion for food.

Man and Beast(de)

End of the WWII, concentration camp somewhere in Poland. Prisoners have heard that Germans have plans to kill them all, before the Allies come. One of the prisoners escapes, and tries to find the Allies. A manhunt begins.

Vivo o muerto(en)

Cowboy/western: hero fakes cowardice to trap the bad guys into showing their hands.

Road Tripping(en)

The authors of J.B. Hivemind's Road Trippy begin their road trip adventure. Or at least try to.

Grid(pt)

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Trapline(en)

Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".

C-Film(en)

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Reila(nl)

Pas de Trois(en)

An analysis of film’s persistent relationship to sexuality, mediated by allusions to early cinema’s flicker, and other aggressive qualities of the cinematic apparatus.

Cold Hands(xx)

Two hands over a light.

Tracing Light(de)

Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.

The KFC(en)

Five Kiwis take on a paragliding adventure in Tanzania, with the ultimate aim to fly from the summit of Mt Kilimanjaro.

A Train Arrives at the Station(en)

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

In Ictu Oculi(eu)

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

Green Leaves(fr)

A study of observation, perceptions and sensations of nature and human interactions from the eye of a digital camera

As You Are(en)

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

The Aqueduct of Seyssuel(fr)

Five fragments of observation and sensations during a journey with Gorneton's trail in Seyssuel, Isère. A work-in-progress with sounds, the interest of light and the solitude of a digital camera.

Tiger Balm(en)

"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprised by Tiger Balm, lyrical, in color, a celebration of generative humors and principles, in homage to the green of England, the light of my dooryard… and consecutive matters." - HF

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

The Conquest of Light(en)

The film discusses the evolution and potential of using light waves, particularly coherent light, for communication. It highlights the development of lasers at Bell Telephone Laboratories, explaining how they produce a highly controlled and intense beam of light that could revolutionize communication. The film emphasizes the vast possibilities of lasers, including applications in telecommunications, surgery, and exploring the universe, suggesting that this technology represents a significant step in humanity's understanding and use of light.

Shapeless Variations(en)

A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. Over an invisible horizon, a chance presents itself to meditate on the “speed” of water (and the sea) and also for a more fluid kind of editing.

La Mer(xx)

The passing time is displayed as a series of still frames, or a rapid sequence of moments, ever flowing like the waves that break on the shore, like a repeated chant with no beginning, middle or end.

Torre 1(xx)

The port of a Mediterranean coastal city, which had once been the symbol of prosperity and the epicenter of life in the region, is now only the reflection of a decaying present. Static and empty shots reveal glimpses of a brilliant past, only interrupted by the intermittent sound of the construction of a residential apartment building that stands menacingly a few meters from the dock, presaging an even darker future.